POLAR BEAR – Review

Disneynature’s POLAR BEAR – Photo by Florian Ledoux. ©2022 Disney Enterprises, Inc. All Rights Reserved.

To commemorate Earth Day, Disney+ invites its viewers to embark on an adventure in a faraway land. Now, with warmer temps in the near future, you might think that you’ll be virtually basking in the sun, perhaps on a white island beach, or trekking through a lush jungle. Well, that’s not the plan as these talented filmmakers follow the remarkable life of a pretty remarkable and resilient creature. And the weather does play a big part in this film, you might even consider it another character. That’s because of its now radically changing aspects, forcing the title animal to go to more creative and extreme links to survive. that’s because it is now tougher than ever to be a POLAR BEAR.

It begins with a mother and daughter “ice bear” on the move, swimming in search of the next elusive meal. We soon learn that the story’s focus is not on the cub, but on the mama, whose narrative voice is provided by Catherine Keener. The story flashes back in time to when the mother was a cub herself, part of an ever-wandering trio with her twin brother and protective mom. It’s springtime in the Arctic, when she must try to gather enough food to keep them alive through the winter. Mother teaches the twins to swim, making their way from one floating chunk of ice to the next (in the next season those chunks will be further apart and smaller). She’s got to grab a sea lion while it sunbathes ashore since it’s far too fast underwater. But life is not just “schooling” for the cubs as they need to keep their distance from ravenous adult male bears who see them as easy and delicious prey. Later they’ll set their sites on nesting birds, beluga whales, and a walrus herd (hoping to get their “younguns” since the adults are enormous). We witness the beauty of those dancing northern lights in their green and purple hues. The ensuing season becomes more desperate as the trio dines on seaweed to fuel their long march across the mud, where once the ice glistened. The family experiences triumph and tragedy leading to a final split that sends the now teenage female cub to wander alone until she begins her own family. Thus we get that “circle of life” when the story picks up back where it began with the always on-the-hunt duo, battling hunger and a climate that seems to be getting warmer with every new year.

So, is this film as ‘family-friendly” as the other recent feature docs from the Disneynature imprint? Well, yes and no, which is a good thing. This is a more serious, somber, and reflective offering as it attempts to do “double’ narrative duty. First and foremost it’s a chronicle of the everyday endeavors of these incredible creatures. But then, entering in during several engrossing sequences is a look at the impact of the now rapidly-changing climate. It’s jarring to see that gorgeous white fur smeared with sticky mud, a coating that clings even as they swim to the tiniest of floating ice sheets. In these scenes, the film is the perfect fit for Earth Day. The direction from the team of Alastair Fothergill and Jeff Wilson has an elegant grace, cutting from long overhead shots (drones are put to great use) and closer, more intimate framing (a sequence of distant death is so haunting). Much of the film’s power comes from the stunning photography of another team, James Ewen and Rolf Steinmann (which sends a cold numb feeling through my fingers just thinking about it). And it’s all held together tonally by the nuanced and never-overpowering music score from Harry Gregson-Williams. Also setting the proper dramatic tone is the compelling narration by Keener. She’s not resorting to funny voices (which detracted from the previous features), even eschewing giving the bears human or anthropomorphic names. She uses her voice much like any instrument in the orchestra, accentuating and pausing to add even more power to the superb imagery (those glowing night skies are more mesmerizing than any CG-created effect). And as I mentioned earlier there are scenes of death and hunting, but the more grisly aspects are discreetly out of camera view. And those stalking scenes of mama bear easing up on the sea lions are pure suspense. Though many youngsters see them as seasonal soda pitchmen, the film will show them the real wonder and drama in the life of the often lonely POLAR BEAR.

3.5 Out of 4

POLAR BEAR streams exclusively on Disney+ beginning on Friday, April 22, 2022

THE BAD GUYS (2022) – Review

THE BAD GUYS

As Spring slowly arrives (really, April snow), the multiplex makes way for a new family-friendly animated feature film (and contrary to what the Academy said, that medium can tackle the more mature subject matter, like FLEE). Now, this one’s got an interesting twist, a “spin” on a firmly established trope of the “cartoon conflict’. Well, it’s not a “skewed’ satiric fairy tale or fable but rather goes further back, before the features, to those “much-missed” theatrical shorts. Very often they dealt with a chase, usually a pursuit with a predator animal trying to capture its (not so defenseless) prey. In the world of Looney Tunes, Sylvester is after Tweety while the Coyote was always several steps behind that Roadrunner. But what about shifting the focus from the “heroes” to the “villains”, to a team of “nogoodniks” who somehow want to change? Or do they? Can they really “flip” their “nature” or must they remain THE BAD GUYS?


This “cartoon caper” begins with a casual diner conversation between the gang’s leader, Wolf (voice of Sam Rockwell), and his “second in command” and BFF Snake (Marc Maron). After exiting the “greasy spoon”, the duo begins a “bank heist’ with the help of the rest of the “crew”: computer-hacking whiz Tarantula (Awkwafina), master of disguise Shark (Craig Robinson), and the tiny but powerful Piranha (Anthony Ramos). After barely escaping capture by their arch-nemesis, Police Chief Luggins (Alex Borstein), the gang return to their secret lair and begin to plan their next “job”. A TV news report informs them that the valuable Golden Dolphin award for Samaritan of the Year will be presented to Professor Marmalade (Richard Ayoade) at a “fancy-schmancy” museum event. For Wolf, the “icing on the cake” is that the award will be given by newly elected Governor Foxington (Zazie Beetz). The gang complains that many criminals have failed to nab the Dolphin, but Wolf insists that this will be their greatest “score”. Of course, the plan doesn’t quite go smoothly, as Wolf helps a much-older matron who nearly trips down a staircase. He has an odd sensation, a twinge of euphoria inside sparked by doing good and causing his tail to wag. This helps lead to the gang’s capture, but security footage of Wolf’s selfless act inspires the Prof to plead for the gang, insisting that he can change their ways and do a better job of reforming them than any prison. Can the “bad guys” go good or is this just part of a bigger scheme? And what about that spark between Wolf and the Guv?

Dreamworks Animation theatrical features have been “hit and miss” of late, often releasing uninspired sequels (the last SPIRIT horse-flick was true horse…y’know) and tepid original ideas, but put this effort in the plus category. This may be due to the source material, a popular series of children’s books by Aaron Blabey, adapted with playful glee by screenwriters Etan Cohen and Yonni Brenner who have included several nods to the old “let’s steal something in the most intricate way possible” movies. The familiar setting of the first scene gives us a “head’s up’ as they recreate the eatery from the “bookends” of PULP FICTION. The other plus is the inspired direction of first-time feature director Pierre Perifel who balances the engaging character interchanges with action sequences that take a welcome satiric swing at the excesses of many blockbusters (consider this a “palette cleanser” to the insufferable AMBULANCE). Cameras swoop above and around the speeding vehicles before slowing down for us to appreciate a subtle visual “nugget”, then “revving up’ for some bit of F&F gravity-defying nonsense. Happily the flick also employs some really inspired, funny character designs, “filling-out” Blabey’s comic-strip imagery, while not going overboard on the “too busy” detailing of many CGI renderings, though I did enjoy the darkened lines about the eyes and lips which bring out the expressions. Now, this is a bit of a human/animal mix, unlike say ZOOTOPIA or the KUNG FU PANDA series, humans interact with the critters on the same level, much like Elmer Fudd and Bugs Bunny, so there’s the “fur-less folk” who are every bit as exaggerated but seem to owe much to the “anime” wide-eyed and “open-mouth” tropes we’re seeing more frequently, from LUCA to TURNING RED. Perhaps this is done to make the animals “stand out” a bit more, though I wish the Police Chief and her crew looked as appealing. What does work is the use of this terrific vocal cast led by Rockwell who is pure laid-back “Clooney cool” as Wolf while Maron conveys a different side to his wiseguy stand-up comic (and podcaster) persona as the irritable, curmudgeonly Snake (thinking his “bucket hat” is a nod to Carl Reiner in the OCEANS trilogy) . Oh,, and extra kudos to the artisans who have recreated the sun-drenched LA streets that are a backdrop to the frenetic mayhem. With so much to offer in the way of animated entertainment, audiences of any age should have fun spending a good 100 minutes with THE BAD GUYS.

3 out of 4

THE BAD GUYS opens in theaters everywhere on April 22, 2022

Take A Journey With Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis And Hugh Grant In DUNGEONS & DRAGONS: HONOR AMONG THIEVES – In Theaters March 3, 2023

Paramount Pictures has released a preview of the upcoming DUNGEONS & DRAGONS: HONOR AMONG THIEVES.

Come join the party with Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, and Hugh Grant.

Based on HASBRO’S DUNGEONS & DRAGONS, the journey begins on March 3, 2023.

Directed by Jonathan Goldstein & John Francis Daley, screenplay by Jonathan Goldstein & John Francis Daley and Michael Gilio with the story by Chris McKay & Michael Gilio.

The filmmakers, known for directing Game Night and writing Horrible Bosses and Spider-Man: Homecoming, spoke with The Hollywood Reporter in May 2020. Read the interview here: https://www.hollywoodreporter.com/movies/movie-features/dungeons-dragons-filmmakers-jonathan-goldstein-john-francis-daley-share-vision-1296137/

©2021 Paramount Pictures. All Right Reserved.

Chris Evans Is Space Ranger Buzz Lightyear In New LIGHTYEAR Trailer And Poster

Check out a new trailer for Disney and Pixar’s “Lightyear,” revealing new details about the upcoming sci-fi action adventure. 

The definitive origin story of Buzz Lightyear, the hero who inspired the toy, “Lightyear” follows the legendary Space Ranger after he’s marooned on a hostile planet 4.2 million light-years from Earth alongside his commander and their crew.

As Buzz tries to find a way back home through space and time, he’s joined by a group of ambitious recruits and his charming robot companion cat, Sox. Complicating matters and threatening the mission is the arrival of Zurg, an imposing presence with an army of ruthless robots and a mysterious agenda. 

The film features the voices of Chris Evans as accomplished Space Ranger Buzz Lightyear, Uzo Aduba as his commander and best friend Alisha Hawthorne and Peter Sohn as Sox. Keke Palmer, Taika Waititi and Dale Soules lend their voices to the Junior Zap Patrol’s Izzy Hawthorne, Mo Morrison and Darby Steel, respectively, and James Brolin can be heard as the enigmatic Zurg. The voice cast also includes Mary McDonald-Lewis as onboard computer I.V.A.N., Isiah Whitlock Jr. as Commander Burnside, Efren Ramirez as Airman Diaz, and Keira Hairston as Young Izzy.

Directed by Angus MacLane (co-director “Finding Dory”), produced by Galyn Susman (“Toy Story That Time Forgot”) and featuring a score by award-winning composer Michael Giacchino (“The Batman,” “Up”), “Lightyear” opens only in theaters on June 17, 2022.

TRIAL AND ERROR – After being marooned on a hostile planet, Buzz Lightyear (voice of Chris Evans) attempts multiple test flights in an effort to recreate the complicated fuel required to reach hyperspeed so he and the whole crew can return to Earth. Directed by Angus MacLane (co-director “Finding Dory”) and produced by Galyn Susman (“Toy Story That Time Forgot”), Disney and Pixar’s “Lightyear” opens in U.S. theaters on June 17, 2022. © 2021 Disney/Pixar. All Rights Reserved.
MAKING SPACE – In Disney and Pixar’s “Lightyear,” Buzz Lightyear (voice of Chris Evans) and Alisha Hawthorne (voice of Uzo Aduba)—his long-time commander, fellow Space Ranger and trusted friend—are marooned on a hostile planet. Directed by Angus MacLane (co-director “Finding Dory”) and produced by Galyn Susman (“Toy Story That Time Forgot”), the sci-fi action-adventure opens in U.S. theaters on June 17, 2022. © 2022 Disney/Pixar. All Rights Reserved.

Find THE LOST BOYS at The Wildey Theater in Edwardsville Tuesday April 26th

ing in Santa Carla I never could stomach, – all the damn vampires!”

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Nothing’s more fun than The Wildey’s Tuesday Night Film Series. THE LOST BOYS (1987) will be on the big screen when it plays at The Wildey Theater in Edwardsville, IL (252 N Main St, Edwardsville, IL 62025) at 7:00pm Tuesday April 26th. Tickets are only $3  Tickets available starting at 3pm day of movie at Wildey Theatre ticket office.  Cash or check only. (cash, credit cards accepted for concessions)  Lobby opens at 6pm.

It may not be the scariest horror movie of the ‘80s (heck, the ridiculously over-sized 80s hairstyles and mullets on show are probably more frightening than the fangs), but thirty-five years later it’s easier to appreciate director Joel “Bat Nipples” Schumaker ‘s THE LOST BOYS as the first teen vampire movie. Boasting not just one but both of those late 1980s/early ’90s pubescent “pin-ups” called “Corey”, THE LOST BOYS was a sort of brat-packer attempt at the typical vampire/horror flick. It became a pop-culture phenomenon in 1987 thanks to its attractive young stars, offbeat soundtrack, and hip, clever marketing campaign (but it’s never explained why does Corey Haim’s character has a poster of Rob Lowe on his door!).

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Recently divorced Diane Wiest moves with her two sons (Jason Patric and Haim) to the California community of Santa Carla, where teenage vampires (headed by Kiefer Sutherland) cruise the boardwalk. These ‘Lost Boys’ (there is a lost girl too, but nobody mentions her) hang from the ceiling of their lair in the ruins of an old hotel, while at night they go out seeking blood in Santa Cruz, known as the Mass Murder Capital of the World. Patric is initiated into the gang, but tries to resist his vampiric urges while his brother calls in Edgar and Alan Frog (Corey Feldman and Jamsion Newlander), gonzo teen vampire hunters from the local comic store,  to battle the undead bloodsuckers.

Christina Ricci Stars In First Trailer And Poster For MONSTROUS – In Theaters and On Demand May 13

In theaters and On Demand May 13th comes the terrifying new film MONSTROUS starring Christina Ricci.

Directed by Chris Sivertson (I Know Who Killed Me, All Cheerleaders Die) andwWritten by Carol Chrest (The Prophet’s Game), the film premiered at Glasgow FrightFest. Check out the scary trailer now.

A terrifying new horror awaits Laura (Christina Ricci) and her seven-year-old son Cody when they flee her abusive ex-husband and try to settle into a new life in an idyllic and remote lakeside farmhouse. Still traumatized, their physical and mental well-being are pushed to the limit as their fragile existence is threatened.
 
MONSTROUS also features Colleen Camp (Sliver, Clue, Die Hard With a Vengeance), Santino Bernard (8-Bit Christmas, Penny Dreadful: City of Angels, “Bing”), Don Baldaramos (Suburbicon, “Castle”) and Nick Vallelonga (Green Book, The Many Saints of Newark, The Birthday Cake).

Screen Media will release the film in theaters and on demand May 13, 2022.

Watch the Trailer For the Deliciously Dark WHERE THE SCARY THINGS ARE – Coming to DVD, Digital and On Demand June 28th

Ready for Stand by Me orThe Goonies with a deliciously dark twist? The horror begins when WHERE THE SCARY THINGS ARE comes to On Demand, Digital and DVD June 28 from Lionsgate. A group of teenagers inspired by a high school “Create Your Own Urban Legend” project quickly get out of hand in their desire for more “likes” and going viral with deadly consequences..

Here’s the trailer:

The horror begins as Ayla and her high school friends discover a hideous, semi-human mutant. They keep it prisoner while shooting repulsive viral videos, with the gang’s hunger for “likes” driving them to film the beast performing murderous acts. When one boy sees that Ayla is using the monster’s gruesome violence to settle her own vendettas, he threatens to tell the authorities—but is he too late to save his friends?

Mira Nair’s MISSISSIPPI MASALA Starring Denzel Washington Opens April 22nd in St. Louis at The Plaza Frontenac Cinema

Mina is my only child. I don’t want her to go through the same struggle as I did.”

Mira Nair’s MISSISSIPPI MASALA (1991) starring Denzel Washington opens in St. Louis Friday April 22nd at Landmark’s Plaza Frontenac Theater (1701 South Lindbergh Boulevard # 210 PLAZA, Frontenac, MO 63131)For showtimes, check The Plaza Frontenac Cinema’s website HERE.

In MISSISSIPPI MASALA, an Indian family is expelled from Uganda when Idi Amin takes power. They move to Mississippi and time passes. The Indian daughter falls in love with a black man, and the respective families have to come to terms with it.

First Look: Ralph Fiennes And Anya Taylor-Joy In THE MENU, In Theatres November 18, 2022

Ralph Fiennes and Anya Taylor-Joy in the film THE MENU. Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved

Searchlight Pictures has released a first look at THE MENU from director Mark Mylod.

A couple (Anya Taylor-Joy and Nicholas Hoult) travels to a coastal island to eat at an exclusive restaurant where the chef (Ralph Fiennes) has prepared a lavish menu, with some shocking surprises.

The film also stars Nicholas Hoult, Hong Chau, Janet McTeer, Judith Light and John Leguizamo. The film is produced by Adam McKaqy and Betsy Koch.

THE MENU will open in theaters on November 18, 2022.

Watch The Trailer For FOXHOLE, From Director Jack Fessenden

Samuel Goldwyn Films has released the first trailer for the upcoming film, FOXHOLE.

Unfolding over the span of 36 hours in three separate wars–The American Civil War, World War I, and Iraq–Foxhole follows a small group of soldiers trapped in a confined space as they grapple with morality, futility, and an increasingly volatile combat situation.

From writer and director Jack Fessenden, watch the trailer now.

According to his IMDB page, Fessenden “was recently cited as one of “11 Filmmakers 30 or Under You Need to Know” (Indiewire, June 2017) at age 17, is a filmmaker based in New York City. He finished his first feature film, Stray Bullets, during his sophomore year in High School. The film premiered at the Oldenburg International Film Festival in September 2016 and went on to be distributed by Screen Media Films in a 12-city release that included New York and LA. Starring James Le Gros and Kevin Corrigan, Stray Bullets was heralded by the Hollywood Reporter as a “strikingly impressive…blazingly confident debut” and by Slant Magazine as “cing] a stock scenario to its primal essence, informing genre blood sport with pulp transcendentalism.”

Read a recent interview with the director here, prior to the FOXHOLE’s U.S. premiere at the Woodstock Film Festival in 2021: https://insideandoutupstateny.com/we-are-upstate-ny/hollywood-on-the-hudson-with-film-director-jack-fessenden/

FOXHOLE stars Motell Gyn Foster, Alex Hurt, Cody Kostro, Angus O’Brien, James Le Gros, Andi Matichak, Alex Breux, Asa Spurlock.

FOXHOLE is in theaters and on digital May 13th, 2022.

photos: Photo courtesy of Samuel Goldwyn Films