Jim Jarmusch lets us know right off the bat
that THE
DEAD DON’T DIE, his
take on the zombie genre is not to be taken seriously. It plays the film’s
irreverent title song (by Sturgill Simpson) over the opening credits. Minutes
later the song is playing in the squad car of Police Chief Cliff Robertson
(Bill Murray), prompting him to wonder why it sounds so familiar. “It’s the
film’s theme song,” his deputy Ronnie Peterson (Adam Driver) matter-of-factly
replies, in the first of several meta moments (mostly delivered by Driver) that
include references to the script and “Jim”, the director. There have been
zombie comedies before, but Jarmusch puts the ‘dead’ in ‘deadpan’ with THE DEAD
DON’T DIE, a quirky zombie parody featuring what’s justifiably been billed as
‘the greatest cast ever assembled for a zombie film’: Bill Murray, Adam Driver,
Tilda Swinton, Chloë Sevigny, Steve Buscemi, Danny Glover, Caleb Landry Jones,
Rosie Perez, Iggy Pop, Sara Driver, RZA, Selena Gomez, Carol Kane, Austin
Butler, Luka Sabbat and Tom Waits.
In an environmental twist to the zombie legend, it seems the Earth has spun off its axis by something called “polar fracking” causing the dead to spring to life in the one-stoplight town of Centerville, PA and go on the hunt for blood, brains, coffee, wi-fi, chardonnay, and cable TV, things they desired during their living days. THE DEAD DON’T DIE should be enjoyed by everyone who loves Jarmush’s particular low-key style of comedy, but it probably won’t win many converts. Jarmush’s self-conscious, often silly script and absurdist tone makes it hard to fully indulge in its horrific elements, but as director he shows a surprising eye for foggy graveyard atmosphere. Even if the laughs are muted, the cast makes it worthwhile. Highlights include Tom Waits as a woods-dwelling recluse, Steve Buscemi as a racist blowhard who sports a “Make America White Again” hat, and Chloë Sevigny as the only cop on the small force who seems concerned that the citizenry are dining on each other. Tilda Swinton spoofs the sword-wielding philosophical oracle shtick she’s been doing in films lately. She’s terrific, but the heart of THE DEAD DON’T DIE is the dialog between Murray and Driver. “This isn’t going to end well” the deputy repeats, in a running joke with a big pay-off. THE DEAD DON’T DIE meanders in its second half, and eventually runs out of steam but its still recommended.
Blumhouse recently took Halloween to that franchise’s highest performance and now returns to another genre classic with an upgrade engineered for today: Black Christmas.
Hawthorne College is quieting down for the holidays. One by one, sorority girls on campus are being killed by an unknown stalker. But the killer is about to discover that this generation’s young women aren’t willing to become hapless victims as they mount a fight to the finish.
This December, on Friday the 13th, ring in the holidays by dreaming of a Black Christmas.
From director Sophia Takal (Always Shine) from the script she wrote with April Wolfe (Widower), comes a bold new take on the 1974 horror classic starring Imogen Poots (Green Room, The Art of Defense), Aleyse Shannon (Charmed), Brittany O’Grady (Star), Lily Donoghue (The Goldbergs, Jane the Virgin) and Caleb Eberhardt (Broadway’s Choir Boy).
Black Christmas is produced by Jason Blum (Halloween, Split) for his Blumhouse Productions.
Blum is a three-time Academy Award®-nominated
and two-time Primetime Emmy Award and Peabody Award-winning producer. His
multimedia company is known for pioneering a new model of studio filmmaking:
producing high-quality micro-budget films.
Blumhouse is widely regarded as a driving force in the current horror renaissance, with its recent hit Ma, the horror, thriller film starring Octavia Spencer, Juliette Lewis, Diana Silver, Luke Evans, McKaley Miller, Missi Pyle, Corey Fogelmanis, Gianni Paolo, and Dante Brown.
Blum’s 2019 film Glass from M. Night Shyamalan, the 2017 blockbuster Split from M. Night Shyamalan, and Get Out from Jordan Peele, with combined budgets of less than $35 million, went on to gross more than $730 million worldwide. Glass was also Blumhouse’s 11th film to open at No. 1. In addition, Get Out was nominated for four Academy Awards® in 2018—including Best Picture—and won the Oscar® for Best Original Screenplay. In October, the company’s Halloween posted the second-highest opening ($76 million) for a horror movie after IT.
Blumhouse has also produced the highly profitable The Purge, Insidious, Sinister and Paranormal Activity franchises, which together have grossed more than $1.6 billion at the global box office. Paranormal Activity, which was made for $15,000 and grossed close to $200 million worldwide, launched the Blumhouse model and became the most profitable film of all time. The company’s titles also include The Gift, Unfriended and The Visit. Blum, who was nominated for an Academy Award® for producing Whiplash, has appeared on Vanity Fair’s “New Establishment List” each year since 2015, has received the 2016 Producer of the Year Award at CinemaCon and was named to the TIME 100 list of the world’s most influential people in 2017.
BLACK CHRISTMAS is also produced by Ben Cosgrove (The Good German, Rumor Has It) and by Adam Hendricks (Cam, Bloodline, Lucky) for Divide/Conquer. Hendricks’ partners in Divide/Conquer, Greg Gilreath (Cam, Bloodline) and Zac Locke (Adopt-A-Highway, Bloodline), will executive produce.
“When I was a kid, I bumped into these things… I don’t know about magic. I always called it The Shining.”
Director Mike Flanagan helmed the creepy horror series Netflix’s THE HAUNTING OF HILL HOUSE. His upcoming film is DOCTOR SLEEP – the sequel to THE SHINING.
Warner Bros. Pictures presents, An Intrepid Pictures/Vertigo Entertainment Production, A Mike Flanagan Film, “Doctor Sleep.” Slated for release in North America on November 8, 2019, and globally beginning on October 30, 2019, “Doctor Sleep” will be distributed worldwide by Warner Bros. Pictures.
The music cue at the end of the trailer from director Stanley Kubrick’s original 1980 classic is perfect!
The director posted his thoughts about being a part of the film on Facebook last year after it’s completion.
“Doctor Sleep” continues the story of Danny Torrance, 40 years after his terrifying stay at the Overlook Hotel in The Shining. Ewan McGregor, Rebecca Ferguson and newcomer Kyliegh Curran star in the supernatural thriller, directed by Mike Flanagan, from his own screenplay based upon the novel by Stephen King.
Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the “shine.” Instinctively recognizing that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers, The True Knot, who feed off the shine of innocents in their quest for immortality.
Forming an unlikely alliance, Dan and Abra engage in a brutal life-or-death battle with Rose. Abra’s innocence and fearless embrace of her shine compel Dan to call upon his own powers as never before—at once facing his fears and reawakening the ghosts of the past.
“Doctor Sleep” stars Ewan McGregor (“Star Wars: Episodes I, II & III,” “T2 Trainspotting”) as Dan Torrance, Rebecca Ferguson (the “Mission: Impossible” films, “The Greatest Showman”) as Rose the Hat, and Kyliegh Curran, in her major feature film debut, as Abra. The main ensemble cast also includes Carl Lumbly, Zahn McClarnon, Emily Alyn Lind, Bruce Greenwood, Jocelin Donahue, Alex Essoe and Cliff Curtis.
Trevor Macy and Jon Berg produced the film, with Roy Lee, Scott Lumpkin, Akiva Goldsman and Kevin McCormick serving as executive producers.
Flanagan’s behind-the-scene creative team was led by director of photography Michael Fimognari (“The Haunting of Hill House”), production designers Maher Ahmad (“Get Hard”) and Elizabeth Boller (“Hush”), and costume designer Terry Anderson (“Den of Thieves”). The music score is composed by The Newton Brothers (“The Haunting of Hill House”).
Experience the film that Time Out New York calls “a hypnotic and inspired neo-noir” (Joshua Rothkopf) when Under the Silver Lake arrives on Blu-ray™ and DVD June 18 from Lionsgate. The film will also be available on Digital and On Demand from A24 on April 23. Directed by David Robert Mitchell (It Follows), the film stars Academy Award® nominee Andrew Garfield (2016, Best Actor, Hacksaw Ridge), Riley Keough (American Honey, Logan Lucky, Mad Max: Fury Road), and Topher Grace (BlacKkKlansman, War Machine, Delirium), and was nominated for the Palme d’Or at the 2018 Cannes Film Festival. The Under the Silver Lake Blu-ray and DVD will include two making-of featurettes and will be available for the suggested retail price of $24.99 and $19.98, respectively.
From the dazzling imagination that brought you It Follows, Under the Silver Lake stars Andrew Garfield and Riley Keough in a delirious fever dream about one man’s search for the truth behind the mysterious crimes, murders, and disappearances in his East L.A. neighborhood.
BLU-RAY / DVD SPECIAL FEATURES
· “What Lies Under the Silver Lake” Featurette
· “Beautiful Specter” Featurette
CAST
Andrew Garfield Hacksaw Ridge, Silence, Breathe
Riley Keough American Honey, Logan Lucky, Mad Max: Fury Road
Topher Grace BlacKkKlansman, War Machine, Delirium
“Annabelle Comes Home” is the third installment of New Line Cinema’s hugely successful “Annabelle” films starring the infamous sinister doll from the “Conjuring” universe. Gary Dauberman, the screenwriter of the “Annabelle” films, “IT” and “The Nun,” makes his directorial debut on the film, which is produced by Peter Safran (“Aquaman”), who has produced all the films in the “Conjuring” franchise, and “Conjuring” universe creator James Wan (“Aquaman”).
Enter for your chance to win two free passes to the St. Louis advance screening of “Annabelle Comes Home” . The theatrical sneak preview will be on June 19 at 7pm.
NO PURCHASE REQUIRED. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house.
The film is rated R for Horror Violence and Terror.
Catch the scary new trailer now.
Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens’ ten-year-old daughter, Judy, and her friends.
The film stars Mckenna Grace (TV’s “The Haunting of Hill House,” “Gifted,” “Captain Marvel”) as Judy; Madison Iseman (“Jumanji: Welcome to the Jungle,” “Goosebumps 2: Haunted Halloween”) as her babysitter, Mary Ellen; and Katie Sarife (TV’s “Youth and Consequences” and “Supernatural”) as troubled friend Daniela; with Patrick Wilson (“Aquaman,” “The Conjuring” and “Insidious” films) and Vera Farmiga (“The Conjuring” films, upcoming “Godzilla: King of the Monsters,” TV’s “Bates Motel”) reprising their roles as Ed and Lorraine Warren.
Dauberman directed the film from a screenplay he wrote, from a story by Dauberman & Wan. Richard Brener, Dave Neustadter, Victoria Palmeri, Michael Clear, Michelle Morrissey and Judson Scott served as executive producers.
Dauberman’s behind-the-scenes team included director of photography Michael Burgess (upcoming “The Curse of La Llorona”), production designer Jennifer Spence (“Annabelle: Creation,” “The Nun”), editor Kirk Morri (“Aquaman”) and costume designer Leah Butler (“Annabelle: Creation”). The music is by Joseph Bishara (“The Conjuring” films).
New Line Cinema presents, an Atomic Monster/Peter Safran Production, “Annabelle Comes Home.” The film is set to open in theatres and IMAX on Wednesday, June 26, 2019 and will be distributed by Warner Bros. Pictures.
FORREST GUMP, director Robert Zemeckis’ film about one man’s unique view of the most memorable events of the second half of the 20th century was the top-grossing film of 1994.
From Mama Gump’s now iconic lesson that life is like a box of chocolates, to Bubba Blue’s laundry list of delectable shrimp preparations, the heartfelt simplicity of FORREST GUMP is as enduring as the summer blockbuster’s most awe-inspiring moments. Relive the magic that is FORREST GUMP when Fathom Events and Paramount Pictures celebrate its 25th anniversary on the big screen at more than 600 nationwide theaters for two days only: Sunday, June 23, and Tuesday, June 25.
You can for their participating theaters and purchase tickets for FORREST GUMP now at FathomEvents.com. Spanning three decades of the life of one of film history’s most unlikely heroes, FORREST GUMP became the biggest pop culture event of 1994, topping the domestic box office for the year and earning six Academy Awards® for Best Picture, Best Director (Robert Zemeckis), Best Actor (Tom Hanks), Best Adapted Screenplay, Best Film Editing, and Best Visual Effects for its history-bending scenes where Forrest meets the likes of Elvis Presley, Presidents John F. Kennedy, Lyndon B. Jonson and Richard Nixon, as well as John Lennon while Forrest sits beside the legendary Beatle on the Dick Cavett Show.
Starring Tom Hanks, Robin Wright, Gary Sinise, Mykelti Williamson and Sally Field, “Forrest Gump” won six Academy Awards® including Best Picture, Best Director, Best Actor (Tom Hanks), Best Adapted Screenplay (Eric Roth), Best Film Editing and Best Visual Effects.
In addition to its two-day-only theatrical presentations from Fathom Events, “Forrest Gump” became able in a newly remastered two-disc Blu-ray™ beginning on May 7, and is also available on 4K Ultra HD and Digital. “Saving Private Ryan” is available in a three-disc 4K Ultra HD/Blu-ray Combo Pack and on Digital.
“These two films not only demonstrate why Tom Hanks is one of the most beloved actors in Hollywood history, they are both among the most acclaimed and most popular movies of the 1990s,” said Fathom Events Vice President of Studio Relations Tom Lucas. “On the big screen, both ‘Saving Private Ryan’ and ‘Forrest Gump’ are incredible experiences and strengthen our robust line-up of classic film presentations for the year.”
FM (1978) will be available on Blu-ray July 2nd from Arrow Video
The airwaves crackle with the delectable sound of smooth rock in FM, a riotous comedy about the heady world of late-70s US radio.
Michael Brandon (Four Flies on Grey Velvet) stars as Jeff Dugan, the ultra-cool program director at Q-SKY Radio, LA’s number one rock station. Dugan encourages a free-wheeling culture at work, employing an array of eccentric DJ personalities: Mother (Eileen Brennan, Private Benjamin), a husky, world-weary ex-hippie; Eric Swan (Martin Mull, Clue), a mad-cap romantic looking for love, and The Prince of Darkness (Cleavon Little, Blazing Saddles), a cool cat who keeps the night-time airwaves alive. But when the station’s future is thrown in to jeopardy by corporate bosses looking to cash-in, the Q-SKY troupe are forced to batten down the hatches and turn up the volume – will a fully-fledged rock ‘n’ roll rebellion save the day?
Legendary cinematographer John A. Alonzo (Chinatown, Scarface) directs this slickly-produced rock film, which combines hilarious studio hijinks with epic footage of Linda Ronstadt and Jimmy Buffett in concert. FM also boasts an incredible platinum-selling soundtrack featuring a pantheon of AOR greats including Steely Dan, The Doobie Brothers, Eagles and Tom Petty (who also cameos). Now, High Fidelity meets High Definition as FM debuts on blu-ray with a selection of exciting new extras.
Special Features and Technical Specs:
High Definition Blu-ray (1080p) presentation transferred from original film elements
Uncompressed stereo 2.0 PCM audio soundtrack
Mono 1.0 music and effects track
Optional English subtitles for the deaf and hard of hearing
No Static at All, a newly filmed interview with Michael Brandon, the star of FM
Radio Chaos, a newly filmed interview with Ezra Sacks, the writer of FM
The Spirit of Radio, a newly filmed video appreciation of the era of FM radio and the FM soundtrack by the film and music critic Glenn Kenny
Extensive gallery of original stills, promotional images and soundtrack sleeves
Original trailers
Reversible sleeve featuring two original artwork options
First pressing only: Illustrated collector’s booklet featuring new writing on the film by writer and critic Paul Corupe
Battle of Midway, (June 3–6, 1942), World War II naval battle, fought almost entirely with aircraft, in which the United States destroyed Japan’s first-line carrier strength and most of its best trained naval pilots. Together with the Battle of Guadalcanal, the Battle of Midway ended the threat of further Japanese invasion in the Pacific. https://www.britannica.com/event/Battle-of-Midway
More happened in the days that followed:
June 11, 1944 The U.S. Navy deals a harsh blow to the Japanese, destroying more than 200 of their air fleet in an attack on bases in the Marianas.
Less than a week after the D-Day invasion, on June 11, the beaches were fully secured and over 326,000 troops, more than 50,000 vehicles and some 100,000 tons of equipment had landed at Normandy.
Here’s a look at the first poster for director Roland Emmerich’s MIDWAY.
Lionsgate will release the film on November 8, 2019. A great spot for an awards season hopeful. Expect a new trailer featuring the huge cast which includes Ed Skrein, Patrick Wilson, Luke Evans, Aaron Eckhart, Nick Jonas, Etsushi Toyokawa, Tadanobu Asano, Luke Kleintank, Jun Kunimura, Darren Criss, Keean Johnson, Alexander Ludwig, with Mandy Moore, Dennis Quaid and Woody Harrelson.
MIDWAY centers on the Battle of Midway, a clash between the American fleet and the Imperial Japanese Navy which marked a pivotal turning point in the Pacific Theater during WWII. The film, based on the real-life events of this heroic feat, tells the story of the leaders and soldiers who used their instincts, fortitude and bravery to overcome the odds.
As a history buff, especially World War II, I’m eager to see what Emmerich does with the material. THE PATRIOT was an excellent depiction of the American Revolution, while being mostly fictional, was nominated for three Academy Awards: Best Sound (Kevin O’Connell, Greg P. Russell and Lee Orloff), Best Cinematography, and Best Original Score. It also received several guild awards, including the American Society of Cinematographers award to Caleb Deschanel for Outstanding Achievement in Cinematography and the Hollywood Makeup Artist and Hair Stylist Guild Award for Best Period Makeup and Best Period Hair Styling.
The 1976 film of the same name featured Charlton Heston, Henry Fonda, James Coburn, Glenn Ford and Hal Holbrook.
A new trailer was revealed this morning for Walt Disney Animation Studios’ “Frozen 2,” offering a glimpse at the dramatic journey Elsa and Anna take into the unknown. From the Academy Award®-winning team—directors Jennifer Lee and Chris Buck, producer Peter Del Vecho and songwriters Kristen Anderson-Lopez and Robert Lopez—and featuring the voices of Idina Menzel, Kristen Bell, Jonathan Groff and Josh Gad, “Frozen 2” opens in U.S. theaters on Nov. 22, 2019.
Why was Elsa born with magical powers? The answer is calling her and threatening her kingdom. Together with Anna, Kristoff, Olaf and Sven, she’ll set out on a dangerous but remarkable journey. In “Frozen,” Elsa feared her powers were too much for the world. In “Frozen 2,” she must hope they are enough.
“Frozen,” which opened in 2013, is the highest grossing animated film of all time. “Frozen” won an Academy Award® for best animated feature film of the year. The film’s iconic song, “Let It Go,” with music and lyrics by Kristen Anderson-Lopez and Robert Lopez, also won an Oscar® for best achievement in music written for motion picture, original song.
I got the results of the test back – I definitely have breast cancer!”
The wait is almost over! The St. Louis movie event of the summer is this weekend! THE ROOM screens Midnights This Weekend (June 14th and 15th) at the Tivoli – with Tommy Wiseau in Person (!!!) as part of the Reel Late at the Tivoli Midnight Series. It’s his ‘Love Is Blind’ Tour! (I’m not sure what that means and I doubt he does either! All seats $20.00, no passes. A Faceboook invite for this event can be found HERE
There will be thousands of plastic spoons flying through the air in the Tivoli’s main screen this weekend. Grown men in tuxedoes will be throwing footballs three feet away from each other in the Tivoli’s lobby. What’s going on and who will that strange man with the sunglasses, odd accent and black stringy hair be that everyone will be crowded around?
Our city is bracing itself for the arrival of the one and only Tommy Wiseau! St. Louis-area fans of THE ROOM will have the opportunity to meet the film’s talented, handsome, and charismatic star, writer and director when he comes to Landmark’s Tivoli Theater here (6350 Delmar in The Loop) for midnight shows of his film this weekend (August 25th and 26th). His big box of THE ROOM T-Shirts, DVD’s, posters, ‘Johnny’ bobbleheads will be sitting at the Tiv, ready to sign for his legion of adoring fans. THE DISASTER ARTIST, a movie about the making of THE ROOM and starring James Franco as Tommy, opens in December.
Tommy will set up in the Tivoli’s lobby around 10:30pm for the autograph session. This will be followed by a Q&A, an audience interactive game, and a midnight showing of THE ROOM. It’s the cultural event of the St. Louis summer!
Tickets can be purchased in advance, or just show up. The Tiv seats 420 souls and is located at 6350 Delmar in The Loop.
There are different types of “Bad Movies”. It’s become sport to poke fun at bloated star vehicles such as ISHTAR, GLITTER, or GIGLI but those films are usually miserable experiences to actually sit through. There are films that are intentionally bad such as those from Troma studios (TOXIC AVENGER, POULTRYGEIST) but Troma knows its audience and anyone seeing a Troma film knows what they are getting into. Writer/director Tommy Wiseau’s THE ROOM belongs with the group of movies that are so bad that they can transform their own awfulness into a “comedy of errors”. Unlike more mundane bad films, these films develop an ardent following of fans who love them because of their poor quality, because normally, the errors (technical or artistic) or wildly contrived plots are unlikely to be seen elsewhere and they become great entertainment in spite of themselves. PLAN 9 FROM OUTER SPACE is the most famous film in this category but its director, Ed Wood, made his films while cloaked in an alcoholic haze (and bra) while convinced he was making great art. I’m not sure what Tommy Wiseau’s excuse is but St. Louis-area fans of THE ROOM will have the opportunity to ask him this weekend when he comes to Landmark’s Tivoli Theater here (6350 Delmar in The Loop) for midnight shows of his film the weekend of June 14th and 15th
THE ROOM is an independently-made, self-distributed movie Wiseau wrote, directed, and starred in back in 2003 that would have been quickly forgotten if it hadn’t found new life after being discovered by some courageous Los Angeles movie fans.It began playing midnights all across the country, complete with prop-throwing, dialog-heckling, and the audience acting out scenes and dialog like “Lisa, you’re tearing me apart!(think ROCKY HORROR PICTURE SHOW without the bustiers). There’s no real way of adequately describing the film’s amusements in standard critique but I will say that it really does live up (or in this case down) to its reputation. A most uncomplicated love story, THE ROOM stars Wiseau as Johnny, a long-haired banker whose trampy girlfriend Lisa (Juliette Danielle) is having an affair with his best friend Mark (Greg Sestero). Johnny gets upset. The End. To be sure, THE ROOM is a craptacular train wreck that will have you rolling on the floor with laughter because of its stupidity, but it is so transcendent in its dreadfulness that it actually becomes a thing of beauty. All of THE ROOMS’s cult achievement rests squarely on the awkward shoulders of Tommy Wiseau, the unlikeliest leading man ever to grace the big screen. Wiseau looks like Gene Simmons’ squat, constipated brother and has an incredibly uncomfortable screen presence. Speaking in a vague Eastern European accent (he claims he’s originally from France. He also claims to study psychology ‘as a hobby’), his every line is mumbled in the same phonetic, euro-sleaze inflection and concluded with a forced, strangled giggle. Wiseu directs himself in three long soft-core sex scenes, each one accompanied by an excruciating song and while Wiseu could have hired as his leading lady an unattractive actress who could act or a beauty who couldn’t, Juliette Danielle is both homely and untalented. I hate to be cruel but with her bad teeth, folds of fat that pop out of her lingerie, and nervous tick neck-twitch, she actually outdoes Wiseu in the lack-of-charisma department (at I first suspected she must be Wiseau’s girlfriend until I read an interview where he claims to have discovered her the day before shooting began when he spotted her stepping off a bus!).
It’s hard to explain the appeal of THE ROOM to someone who hasn’t seen it. I could describe the craziness that abounds such as the scene when the guys go outside and toss a football around from about three feet apart while reciting wretched dialog, or mention that a main character announces she has cancer halfway through, a development never again revisited, but there’s no way my descriptions can do THE ROOM’s unintentional delights justice. After all the anti-acclaim the film has received, Wiseau has backpedaled and now claims he was making a spoof. Was he? Ask him this summer when he appears at the Tivoli to sign his book on THE ROOM, sign autographs, and answer questions. Tickets are $15 each. Look for more coverage of this major upcoming cultural event here at We Are Movie Geeks.com, It doesn’t get worse than THE ROOM, and that’s a good thing.
Don’t miss THE ROOM and your chance to meet Tommy Wiseau this weekend!
Here’s the Reel Late at the Tivoli Midnight schedule for the next month:
June 21-22 THE SHINING New 4K Digital Restoration!
