The Toyman Toy Show in St. Louis has been going strong for over 26 years now and just keeps getting bigger and better! The fun takes place seven times a year at The Machinists Hall 12365 St Charles Rock Road in Bridgeton, MO 63044. There are over 130 vendors at the Toyman Toy Show spread out over 225 tables. all selling vintage toys, comics, dolls, diecast cars, movie memorabilia, and more as well as cosplayers and artists. It’s an unbelievable amount of fun for only $5 and this next show, you’ll have the opportunity to meet a Gremlin and a Power Ranger!
The next Toyman Show is December 10th from 9:00a to 3:00p and Voice Actor Mark Dodson and Power Rangers star Mike Ginn will be in attendance!
Mark Dodson was the voice of Salicious Crumb in RETURN OF THE JEDI and Mogwai in GREMLINS. His other voice credits include DAY OF THE DEAD and STAR WARS THE FORCE AWAKENS.
Born in Auckland, Mike Ginn graduated from New Zealand’s United School of Performing and Screen Arts and worked in New Zealand before moving to Los Angeles. He has landed roles across Asia in commercials such as Mazda, McDonald’s and MSIG Insurance, been involved in multiple theater productions, TV shows, such as Power Rangers RPM as the gold ranger, and independent films including the multiple award winning film My Wedding and Other Secrets, and Blood Punch.
Also, Clinton T. Hobart will be at The Toyman Show as well. Hobart is an officially licensed Disney Fine Artist, the only Still-Life painter to become a Licensed Disney Fine Artist.
And the December Toyman show will be a great drop-off point for the US Marines Toys for Tots campaign!
General admission is 9a to 3p – Adults $5 and 16 and under FREE. Over 140+ Vendors on 225+ tables of Toys, Comics, Games, Movie posters, Barbie, Hot Wheels, Die-Cast, Models, Pop Culture and NEWLY REOPENED Balcony as an ARTIST ATTIC. The show can’t be complete without the SEVERAL Illustrators, Authors, Artists, Pop Culture Crafts, WPW Wrestling, A.P.G. Grading, Zombie Squad, Gateway City Ghostbusters, U.S.S. UMIAK, Curvy Kitty Cosplay along with SC DC 3D Printing in attendance.
The intense nail-biting thriller starring Golden Globe nominee John Cusack (Best Actor, High Fidelity, 2000) and Ellar Coltrane, Blood Money, arrives on Blu-ray™ (plus Digital), DVD, and Digital, December 19 from Lionsgate. The film is currently available On Demand. A modern retelling of the 1948 action film Treasure of the Sierra Madre, Blood Money stars Cusack as a dangerous criminal who will stop at nothing to retrieve his money after a robbery gone wrong. From award-winning cult director Lucky McKee (May, “Masters of Horror”), and written by Jared Butler and Lars Norberg, the Blood Money Blu-ray and DVD will be available for the suggested retail price of $21.99 and $19.98, respectively.
Three friends on a wilderness excursion stumble upon bags of money and suddenly must outrun a white collar criminal (John Cusack) hell-bent on retrieving his fortune. Soon, greed and mistrust turns the friends against each other as they wage a desperate fight for survival.
CAST
Ellar Coltrane Boyhood, Fast Food Nation
Willa Fitzgerald TV’s “Scream: The TV Series”
Jacob Artist “Glee,” “Quantico”
and John Cusack Love & Mercy, Cell, Being John Malkovich, Identity
Illumination and Universal Pictures Home Entertainment present DESPICABLE ME 3 on Digital and Digital 3D November 21, 2017 and on 4K Ultra HD, Blu-ray, DVD and On Demand December 5, 2017. The characters beloved by everyone – Gru, his wife Lucy, their three adorable daughters—Margo, Edith and Agnes—and the Minions provide hours of family fun in this heartwarmingly subversive comedy from Academy Award®-nominated producer Chris Meledandri (Despicable Me Franchise) and directors Pierre Coffin (Despicable Me Franchise) and Kyle Balda (Minions 1 & 2, The Lorax). Hailed as “the best Despicable Me movie yet,” by Ali Plumb of BBC Radio 1, with over $949 million in global ticket sales, Despicable Me 3 is the ultimate holiday gift, with almost an entire hour of exclusive bonus features including an all-new mini-movie, a never-before-released deleted scene, and much more!
Illumination, the studio that brought you Sing, The Secret Life of Pets and the Despicable Me franchise, continues the adventures of Gru and his family in DESPICABLE ME 3. After he is fired from the Anti-Villain League for failing to take down Balthazar Bratt (Trey Parker, “South Park,” Team America: World Police), the latest evil mastermind to threaten humanity, Gru finds himself in the midst of a major identity crisis. But when a mysterious stranger shows up to inform Gru that he has a long-lost twin brother — a brother who desperately wishes to follow in his twin’s despicable footsteps — the former super-villain rediscovers just how good it feels to be bad.
Academy Award nominee Steve Carell (Foxcatcher) reprises his hilarious role as reformed criminal mastermind Gru, as well as his newly discovered twin, Dru. The all-star voice cast also features Kristen Wiig (Bridesmaids, Despicable Me 2), Miranda Cosgrove (Despicable Me 1 & 2, School of Rock), Steve Coogan (The Secret Life of Pets, Philomena), Jenny Slate (Zootopia, The Secret Life of Pets), Dana Gaier (Despicable Me 1 & 2) and legendary singer and actress Julie Andrews (The Sound of Music, Mary Poppins).
DESPICABLE ME 3 will be available on 4K Ultra HD in a combo pack which includes 4K Ultra HD Blu-ray™, Blu-ray™ and Digital. The 4K Ultra HD will include all bonus features on the Blu-ray™ disc.
• 4K Ultra HD is the ultimate movie watching experience. 4K Ultra HD features the combination of 4K resolution for four times sharper picture than HD, the color brilliance of High Dynamic Range (HDR) with immersive audio delivering a multidimensional sound experience.
• Blu-ray™ unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6X the picture resolution of DVD, exclusive extras and theater-quality surround sound.
• DIGITAL lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download.
BONUS FEATURES EXCLUSIVE TO 4K ULTRA HD, BLU-RAYTM, DVD & DIGITAL:
• All-New Mini Movie — The Secret Life of Kyle
• Minion Moments — Watch the Minions cause more hilarious mayhem with Gru
• Deleted Scene — With intro by Dana Gaier, the voice of Edith
• Character Profiles — The inside scoop on the most popular characters, from the actors who play them
• The Making of Despicable Me 3 — A behind-the-scenes look at the making of the movie
• Developing Dru — Behind the scenes character development of Dru
• The AVL Files — Through the lens of the Anti-Villain League’s hi-tech database, this ultra secret, interactive surveillance briefing showcases all of the agency’s amazing creations and top agents
• Freedonia Visitors Guide — Welcome to Freedonia! See all that the town has to offer with this interactive map. From its world class cheese, to its beautiful coastline, Freedonia has it all!
• Despicable Me TV — Tune in for some fabulous fun with these Despicable Me 3 infomercials. Includes “Balthazar Bratt Action Figure,” “Bad Boy Bod by Balthazar Bratt” and “Agnes’ Super Cute, Incredibly Amazing Toy Sale.”
• “Doowit” Sing-Along — Sing along with Pharrell Williams as the Minions plot their escape from prison
• “Yellow Light” Music Video — Official music video by Pharrell Williams
• Minion Mugshots — The Minions add to the long list of celebrity mugshots in their very own “rogues gallery.”
• Wanted Posters — Have you seen these Minions wanted for various crimes?
FILMMAKERS:
Cast: Steve Carell, Kristen Wiig, Trey Parker, Miranda Cosgrove, Steve Coogan, Jenny Slate, Dana Gaier, Julie Andrews
Directed By: Pierre Coffin, Kyle Balda
Produced By: Chris Meledandri, Janet Healy
Executive Produced By: Chris Renaud
Written By: Cinco Paul, Ken Daurio
Co-directed By: Eric Guillon
Score By: Heitor Pereira
Original Songs and Themes By: Pharrell Williams
Edited By: Clare Dodgson
DOLBY VISION:
Despicable Me 3 4K Ultra HD is available in Dolby Vision™. Leveraging the HDR innovation that powers Dolby’s most advanced cinemas around the world, Dolby Vision transforms the TV experience in the home by delivering greater brightness and contrast, as well as a fuller palette of rich colors.
An animated adventure for all ages, with original music and an all-star cast, SMALLFOOT turns the Bigfoot legend upside down when a bright young Yeti finds something he thought didn’t exist—a human.
SMALLFOOT stars Channing Tatum (“The LEGO® Batman Movie,” the “Jump Street” films)
as the Yeti, Migo, and James Corden (“Trolls,” “The Emoji Movie”) as the Smallfoot, Percy.
Set to debut in theaters September 28, 2018, from Warner Bros. Pictures, watch the first trailer now.
News of this “smallfoot” brings him fame and a chance with the girl of his dreams. It also throws the simple Yeti community into an uproar over what else might be out there in the big world beyond their snowy village, in a rollicking story about friendship, courage and the joy of discovery.
Also starring are Zendaya (“Spider-Man: Homecoming”), Common (“Selma”), LeBron James (upcoming “Space Jam 2”), Gina Rodriguez (“Jane the Virgin”), Danny DeVito (“The Lorax,” Oscar nominee for “Erin Brockovich”), Yara Shahidi (TV’s “Black-ish”), Ely Henry (TV’s “Justice League Action”), and Jimmy Tatro (“22 Jump Street”).
SMALLFOOT is directed by Karey Kirkpatrick, Annie Award-winning director of “Over the Hedge” and Annie nominee for the screenplays for “Chicken Run” and “James and the Giant Peach.” The film is produced by Bonne Radford (“Curious George”), Glenn Ficarra (“Storks,” “The is Us,”) and John Requa (“Storks,” “This is Us”). Serving as executive producers are Nicholas Stoller, Phil Lord, Christopher Miller, Jared Stern, Sergio Pablos, and Kirkpatrick.
The creative team includes editor Peter Ettinger, and composer Heitor Pereira.
“I got the results of the test back – I definitely have breast cancer.”
THE ROOM plays this weekend (December 1st and 2nd) at the Tivoli. This is to get everybody primed and excited for THE DISASTER ARTIST, the film about the making of THE ROOM that opens December 8th (look for my review of that on 12/7!).
There are different types of ‘Bad Movies’. It’s become sport to poke fun at bloated star vehicles such as ISHTAR, GLITTER, or GIGLI but those films are usually miserable experiences to actually sit through. There are films that are intentionally bad such as those from Troma studios (TOXIC AVENGER, POULTRYGEIST) but Troma knows its audience and anyone seeing a Troma film knows what they are getting into. Tommy Wiseau’s THE ROOM belongs with the group of movies that are so bad that they can transform their own awfulness into a “comedy of errors”. Unlike more mundane bad films, these films develop an ardent following of fans who love them because of their poor quality, because normally, the errors (technical or artistic) or wildly contrived plots are unlikely to be seen elsewhere and they become great entertainment in spite of themselves. PLAN 9 FROM OUTER SPACE is the most famous film in this category but its director, Ed Wood, made his films while cloaked in an alcoholic haze (and bra) while convinced he was making great art. I’m not sure what Tommy Wiseau’s excuse is.
Fans of bad cinema who live in the St. Louis area have something to celebrate this weekend. Tommy Wiseau’s THE ROOM, crowned as ‘the Worst Movie Ever Made’ by pretty much everyone who has seen it, will be playing midnights this Friday and Saturday (December 1st and 2nd) at the Tivoli. Last summer we had Tommy Wiseau’s triumphant return to the Tivoli to host two screenings of THE ROOM .
THE ROOM is an independently-made, self-distributed movie Wiseau wrote, directed, and starred in back in 2003 that would have been quickly forgotten if it hadn’t found new life after being discovered by some courageous Los Angeles movie fans. It’s been playing midnights in larger cities for a couple of years now, complete with prop-throwing, dialog-heckling, and the audience acting out scenes (think ROCKY HORROR PICTURE SHOW without the bustiers). I’ve seen THE ROOM many times (the first was from Netflix, when I watched it twice because I thought I had dreamed what I watched the first time) and can’t wait to see it again with a live interactive audience so I too can shout out “Lisa, you’re tearing me apart!” I won’t bother reviewing THE ROOM because there’s no real way of adequately describing the film’s amusements in standard critique but I will say that it really does live up (or in this case down) to its reputation.
A most uncomplicated love story, THE ROOM stars Wiseau as Johnny, a long-haired banker whose trampy girlfriend Lisa (Juliette Danielle) is having an affair with his best friend Mark (Greg Sestero). Johnny gets upset. The End. To be sure, THE ROOM is a craptacular train wreck that will have you rolling on the floor with laughter because of its stupidity, but it is so transcendent in its dreadfulness that it actually becomes a thing of beauty. All of THE ROOMS’s cult achievement rests squarely on the awkward shoulders of Tommy Wiseau, the creepiest leading man ever to grace the big screen. Wiseau looks like Gene Simmons’ squat, constipated brother and has an incredibly uncomfortable screen presence. Speaking in a vague Eastern European accent (he claims he’s originally from France. He also claims to study psychology ‘as a hobby’), his every line is mumbled in the same phonetic, euro-sleaze inflection and concluded with a forced, strangled giggle. Wiseu directs himself in three long soft-core sex scenes, each one accompanied by an excruciating song and while Wiseu could have hired as his leading lady an unattractive actress who could act or a beauty who couldn’t, Juliette Danielle is both homely and untalented. I hate to be cruel but with her bad teeth, folds of fat that pop out of her lingerie, and nervous tick neck-twitch, she actually outdoes Wiseu in the lack-of-charisma department (at I first suspected she must be Wiseau’s girlfriend until I read an interview where he claims to have discovered her the day before shooting began when he spotted her stepping off a bus!).
It’s hard to explain the appeal of THE ROOM to someone who hasn’t seen it. I could describe the craziness that abounds such as the scene when the guys go outside and toss a football around from about three feet apart while reciting wretched dialog, or mention that a main character announces she has cancer halfway through, a development never again revisited, but there’s no way my descriptions can do THE ROOM’s unintentional delights justice. After all the anti-acclaim the film has received, Wiseau has backpedaled and now claims he was making a spoof, or dark comedy all along. I’m not buying it. I’ve read and seen too many interviews with Wiseau. I’ve interviewed him myself (he called me and said “You have twenty minutes of my time!”….an hour later I said to him “Dude, I have to go – gotta to make dinner for my kids!”). I’m convinced he really was trying to make a serious drama with THE ROOM. Watch the extras on the THE ROOM DVD and you’ll observe a man who just isn’t all there. I’ve never seen someone with such a complete lack of self-awareness and oblivious narcissism. Sorry Tommy, we’re not laughing with you, we’re laughing at you. I don’t mean to begrudge the guy, as I understand it takes a lot of hard work to get a feature film made and he should just be glad he’s managed to turn himself into something of a cult figure. Wiseau says THE ROOM was based on his unpublished novel and never-performed play (!). Wiseau also claims the film’s budget was 6 million dollars but I’m sure 95% of that went to pay for the billboards he posted along Sunset Boulevard for four straight years promoting THE ROOM that show a huge close-up of his foul mug and the purchase of a full page “for your Oscar consideration” ad in Variety. Wiseau’s film failed to receive any nominations but he has self-published a glossy commemorative hardback book on the making of THE ROOM. I must have that book! It doesn’t get worse than THE ROOM, and that’s a good thing.
Now you can find out what all the fuss is about when THE ROOM plays on the big screen this weekend (December 1st and 2nd) at the Tivoli.
The Tivoli’s located at 6350 Delmar Blvd., University City, MO. Admission is a mere $8!
THE OSIRIS CHILD: SCIENCE FICTION VOLUME ONE will be available on Blu-ray December 5th
When a dangerous outbreak threatens to destroy everyone living on a newly colonized planet, Lt. Kane Sommerville (Daniel MacPherson) goes against orders and leaves his station to rescue his young daughter (Teagan Croft). Desperate to get to her before it’s too late, Kane enlists the help of an escaped prisoner (Kellan Lutz) as they battle their way through the chaos of a planet on the verge of annihilation. With the odds stacked against them, saving his little girl may be humanity’s last chance at survival.
Starring Kellan Lutz (Expendables 3, The Twilight Saga, HBO’s “The Comeback”), Daniel MacPherson(Infini, Shannara Chronicles, The Cup), Isabel Lucas(Transformers: Revenge of the Fallen, Knight of Cups) and Rachel Griffiths(Hacksaw Ridge, “Six Feet Under”) , the film is directed by Shane Abbess (Infini, Gabriel) who co-wrote the script with Brian Cachia (Infini).
HOME ALONE plays on the big screen at St. Louis’ fabulous Hi-Pointe Theater this weekend. It’s Saturday, December 2nd at 10:00am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, MO 63117. Admission is only $5. Other Christmas films in December are IT’S A WONDERFUL LIFE December 9th at 10:00am, WHITE CHRISTMAS December 16th at 10:00am 12/17 and DIE HARD at Midnight December 23rd.
The 1990 comedy smash was John Hughes’ last significant contribution to pop culture. Hughes’s script was his usual dose of upper/middle-class discomfort combined with a Rube Goldberg meets Ferris Bueller selection of traps and low-brow cunning that held together better than a movie set at Christmas had any right to. And its young hero — the courageous home commando Kevin McAllister, played with gusto by the subsequently doomed Macaulay Culkin, is hilarious in his mission to protect his home from the “wet bandits” after being forgotten by his vacationing family.
What is best about HOME ALONE is its sense of fun. The plot really makes little sense. How does a family not notice they have an extra plane ticket or that a sibling is missing? Why would burglars break into a house where they can be identified? How can Joe Pesci get beat up relentlessly and not scream “Motherf***er!” once?
HOME ALONE is a great Christmas film so don’t miss it December 2nd.
Admission is just $5. KMOX’s Harry Hamm will introduce the film.
Hi-Pointe Theatre is located at 1005 McCausland Ave., St. Louis, MO 63117
Steve Carell gives a sensitive performance as a grieving Vietnam vet father on a road trip to bury his son killed in Iraq, accompanied by his two Vietnam War buddies, played by Bryan Cranston and Laurence Fishburne, in Richard Linklater’s LAST FLAG FLYING.
Set in 2003, the film combines elements of a road trip buddy movie and a reflection on two wars and soldiers shared experiences. In Vietnam, quiet Larry Shepherd (Steve Carell), who the others call Doc, was a Navy Corps medic while the more boisterous Sal Nealon (Bryan Cranston) and Richard Mueller (Laurence Fishburne) were Marines in the same unit. When Doc’s son, who joined the Marines, is killed in Iraq, the father is left alone in the small New England town where he lives. Long widowed and with no close family, he decides to seek out his two wartime buddies, whom he has not seen in decades, to come with him to pick up the body of his only child and stand by him while he is buried in Arlington Cemetery.
LAST FLAG FLYING is a road movie, a buddy movie crossed with a drama about a grieving father, a combination that works intermittently. Byran Cranston delivers a loud, attention-grabbing performance but what elevates the film is Carell’s quiet, moving one as Doc, a performance that might give Carell an Oscar nomination.
Doc first visits Sal, at the bar he owns, where he finds the loud, drunken Sal has not progressed much from his wild days in Vietnam, still getting drunk, passing out, and waking up to have cold pizza for breakfast. Actually, Sal is frustrated with his failing business and becoming vaguely aware that he can’t keep this up forever, so greets Doc’s arrival and the idea of a road trip, albeit for this sorrowful purpose, as a welcome distraction, as well as a chance to support an old buddy. But Sal insists they have to bring along their third pal, his carousing buddy Mueller.
Unlike the aging bar-fly Sal, Mueller has changed – a lot. He is now a preacher, with a wife and a congregation, a responsible adult who regrets and even conceals his wild youth. More than that, Mueller is feeling his age, walks with a cane due to a wartime injury and has also become perhaps a bit over-cautious. He expresses his sympathy towards Doc but has no interest in the road trip, not believing he is physically up to it, but eventually is persuaded.
Cranston’s Sal is sort of miffed that his long-ago fellow wild man has changed so much, and so constantly needles him, pushing until Fishburne’s Mueller until he explodes. The louder, big personality Sal and Mueller clash constantly, while quiet Doc calmly goes along, and one gets the sense this was their dynamic back in Vietnam. While the other two bicker, Carell’s character works through his grief, as the men reminisce and reflect on the present. At first, Doc is mostly in need of company that takes him back to the days of his own military service. But then the three learn something from one of his son’s buddies (J. Quinton Johnson), that reveals the military have not told Doc the full story of how his son died, Outraged, Doc insists on taking his son’s body back to his hometown for burial. The revelation echoes something that the three buddies did back in Vietnam, which still haunts them. Putting that right becomes part of the journey.
One might expect a story set in 2003 about a Marine killed in Iraq to have something to say on the Iraq War but instead the film focuses on their Vietnam War experience. There are few parallels drawn, apart from how the military deals with Gold Star families, putting the most glowing spin on the circumstances of the soldier’s death, and sometimes even concealing what happened.
The road trip aspect provide the comic relief side of this tale, while Carell is the center of the drama. Cranston’s over-the-top, loudly obnoxious character is amusing at first but eventually wears one down. Cranston takes up so much of the air in the room that it is hard for the talented Fishburne, playing the prickly voice of reason and restraint, to get as much chance to shine as he deserves. Director Richard Linklater mostly handles the film well but needed to rein in Cranston a bit, to give the talented Fishburne a bit more room to shine, making their scenes more ensemble and less a competition.
Fortunately, Cranston’s showboat performance does not interfere with Carell’s striking quiet but moving performance. In one of his best performances, Carell works through a host of feelings, while exploring life in thoughtful conversations with the more reflective Mueller and the bolder Sal. Those conversations, and Carell’s quiet dignity, are the best moments of the film.
Cranston has big opinions on what Doc should do but often based on his party-til-you-drop philosophy of life, something even Sal is secretly starting to question. While Cranston and Fishburne squabble and the road rolls on before them, Doc slowly works through his grief and then anger, sometimes with the help of his more careful friend Mueller, and occasionally the risk-taking Sal, but often in his own thoughts, expressed in quiet conversation or reflected on Carell’s expressive face.
FLAGS OF OUR FATHERS is best as an exploration of a father’s grief at losing his son in a new war after having survived his own war experience, although it fails to say much on the parallels between Iraq and Vietnam. Still, Carell’s sensitive performance is a standout, strong enough to be a possible Oscar nomination, which makes this film worth your time.
The hypnotic and daring thriller starring Golden Globe nominee Kirsten Dunst (Best Actress – Limited Series, ”Fargo,” 2016; Best Supporting Actress – Motion Picture, Interview with the Vampire: The Vampire Chronicles, 1995), Woodshock, arrives on and Blu-ray™ (plus Digital HD), DVD, and On DemandNovember 28 from Lionsgate. Written and directed by Kate and Laura Mulleavy, the world-renowned fashion designer duo behind American luxury label Rodarte, the dark and twisted drama follows a woman who falls deeper into paranoia after an experiment gone wrong. Executive produced by Dunst and theatrically released by A24, the Woodshock Blu-ray and DVD includes a making-of featurette and will be available for the suggested retail price of $24.99 and $19.98, respectively.
Now you can own WOODSHOCK on Blu-ray. We Are Movie Geeks has 4 copies to give away.All you have to do is leave a comment answering this question: What is your favorite movie starring Kirsten Dunst ? (mine is MELANCHOLIA!). It’s so easy!
Good Luck!
OFFICIAL RULES:
1. YOU MUST BE A US RESIDENT. PRIZE WILL ONLY BE SHIPPED TO US ADDRESSES. NO P.O. BOXES. NO DUPLICATE ADDRESSES.
2. WINNERS WILL BE CHOSEN FROM ALL QUALIFYING ENTRIES.
Golden Globe® nominee Kirsten Dunst stars as Theresa, a haunted young woman spiraling in the wake of profound loss, torn between her fractured emotional state and the reality-altering effects of a potent cannabinoid drug. Immersive, spellbinding, and sublime, Woodshock transcends genre to become a singularly thrilling cinematic experience that marks the arrival of Kate and Laura Mulleavy as major new voices in film. CAST
Kirsten Dunst TV’s “Fargo,” Spider-Man films franchise, Melancholia, The Beguiled
Joe Cole Green Room, Netflix’s “Peaky Blinders”
Pilou Asbæk HBO’s “Game of Thrones,” Ghost in the Shell BLU-RAY/DVD SPECIAL FEATURES
Leading an all-star cast, Ryan Reynolds (Deadpool, The Proposal) and Samuel L. Jackson (Pulp Fiction, Marvel’s Cinematic Universe) take viewers on an outrageous action-packed, comedic adventure in The Hitman’s Bodyguard, arriving on Digital HD November 7 and 4K Blu-ray Combo Pack (plus Blu-ray and Digital HD), Blu-ray™ Combo Pack (plus DVD and Digital HD), DVD and On Demand November 21 from Lionsgate. When Michael Bryce, an elite bodyguard, and Darius Kincaid, a renowned hit man, are forced to work together, they don’t just have to avoid getting killed…they also have to avoid killing each other. The film, which was #1 at the summer box office three weeks in a row, also stars Oscar nominees Gary Oldman (2011, Best Actor, Tinker Tailor Soldier Spy) and Salma Hayek (2002, Best Actress, Frida).
Now you can own THE HITMAN’S BODYGUARD on Blu-ray. We Are Movie Geeks has 4 copies to give away.All you have to do is leave a comment answering this question: What is your favorite movie co-starring Samuel L. Jackson ? (mine is JACKIE BROWN!). It’s so easy!
Good Luck!
OFFICIAL RULES:
1. YOU MUST BE A US RESIDENT. PRIZE WILL ONLY BE SHIPPED TO US ADDRESSES. NO P.O. BOXES. NO DUPLICATE ADDRESSES.
2. WINNERS WILL BE CHOSEN FROM ALL QUALIFYING ENTRIES.
The world’s top protection agent (Reynolds) is called upon to guard the life of his mortal enemy, one of the world’s most notorious hit men (Jackson). The relentless bodyguard and manipulative assassin have been on the opposite end of the bullet for years, and are thrown together for a wildly outrageous24 hours. During their raucous and hilarious adventure from England to the Hague, they encounter high-speedcar chases, outlandish boat escapades, and a merciless Eastern European dictator (Oldman) who is out for blood. Hayek joins the mayhem as Jackson’s equally notorious wife.
Directed by Patrick Hughes (The Expendables 3, Red Hill) and written by Tom O’Connor (Fire with Fire), The Hitman’s Bodyguard 4K Ultra HD, Blu-ray and Digital HD features exclusive bonus content including outtakes; four featurettes; deleted, extended, and alternate scenes; and audio commentary with director Patrick Hughes. The DVD will include director commentary and a behind-the-scenes featurette. The 4K Blu-ray Combo Pack, Blu-ray Combo Pack, and DVD will be available for the suggested retail price of $42.99, $39.99 and $29.95, respectively.
4K ULTRA HD / BLU-RAY / DIGITAL HD SPECIAL FEATURES
