MORGAN FREEMAN Talks ISLAND OF LEMURS : MADAGASCAR

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In ISLAND OF LEMURS : MADAGASCAR Morgan Freeman narrates the incredible true story of nature’s greatest explorers—lemurs. Recently, Freeman sat down with members of the press to talk about the film, his narrating voice, and his bucket list. Check it out below.

Captured with IMAX® 3D cameras, the film takes audiences on a spectacular journey to the remote and wondrous world of Madagascar. Lemurs arrived in Madagascar as castaways millions of years ago and evolved into hundreds of diverse species but are now highly endangered. Join trailblazing scientist Dr. Patricia Wright on her lifelong mission to help these strange and adorable creatures survive in the modern world.

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The lemur is brought in and crawls all over the talent.

MORGAN FREEMAN : Did you know they have four fingers and an opposable thumb?

What is it about these animals that endear them to you?

MORGAN FREEMAN : I don’t know lemurs. This is the first time I’ve had this close a connection with them. However, I have a friend who has a place in the Caribbean who raises them. On a visit to his place a year ago, maybe more, I was introduced to them up close and personal because they’re obviously in a little bit of trouble, and he’s doing what he can to help rejuvenate the population. So I got a little bit of history about them but not nearly what I got doing this narration. They’re terrific little creatures. [To Dr. Patricia Wright] What is the major problem the lemurs have? Is it habitat encroachment or are we eating them?

DR. PATRICIA WRIGHT : The deforestation and the slash and burn farming is a major problem and has been for a while. The village elders would say “Don’t eat the lemurs because they are so much like us.” But recently, people aren’t listening to the village elders and hunting has become a problem. The lemur indri gives birth only once every three years.

MORGAN FREEMAN : What are we doing? There was a book called “Ismael.” It’s a trilogy in which the author explains that we’re turning everything on this planet into food for humans. We’ll eat it and if we can’t eat it, we’ll kill it and take it’s place, and move it out of the way. The amazing thing about Madagascar is that there were no humans when the lemurs got there, so they flourished, and life does without us.

Johnny Depp introduced you at Cinemacon as God. When you were asked to do the narration for this, did you do the voice of God? Also, you’ve got a lot of films out and coming out. How do you do so many films?

MORGAN FREEMAN : It doesn’t take very long to do them. They say to me, “Would you mind doing this part in this movie? It’s only for a week.” If that were the case, I could do 52 (a year).

Did you use your your creator from on high voice?

MORGAN FREEMAN : No. I don’t know if that comes across to people. Wonderful! But no. I’m just a barefoot boy who made good.

You’ve worked with these gentlemen previously. Did you already have an interest in lemurs or was it a coincidence that they said they were going to make this movie about lemurs and we want you to narrate the film?

MORGAN FREEMAN : It’s just coincidental that we made this movie about lemurs in Madagascar and we would like to call upon you again to do the narration for us. We did very well with “Born to be Wild,” so if you are of a mind to do it, we’d be very happy to have you. It’s IMAX and Warner Bros, and all the people I like anyway, so I figured if we’re going to be doing something that might give some succor—a word that I would read but never say—but to give some attention and consideration to the other life forms on our planet. I’m happy to do it. It’s an obligation.

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What’s on your bucket list?

MORGAN FREEMAN : I have a film company and I want to make a film that gets a best picture from somebody. You’ll do it? I love people who agree with me. [Laughs]

Do these stories get told lest you attach yourself to them? Is it the gravitas you bring in telling these stories since MARCH OF THE PENGUINS?

MORGAN FREEMAN : Yes and no. If I don’t do it someone else will. And I’m a little reticent to say, “Just as well.” But there are a lot of us who do this kind of work and do it quite well. Yeah, it comes out as well as it does because I do it, but it could come out just as well I someone else did it. Is that a good answer?

You’ve narrated many educational documentaries. What do you love about the art form of the documentary and the educational value of film and TV?

MORGAN FREEMAN : The educational value is what comes first. I’ve always thought the most effective tools we have for disseminating information, i.e. education, is television and film. People are glued to television. Our children, we can’t get them out into the park. So we need to find the right stuff to present to them since they’re going to be watching television. I’ve said I have this belief in disseminating useful information concerning the planet and the diverse biology of it. So I’ve just sort of dedicated myself to be available for anything that helps that along. The art of documentaries—I don’t know anything about it. But if somebody wants to do one about a subject that I’m interested in then, yeah, I’m available.

What is the process for you to do the narration? Do you watch the footage first?

MORGAN FREEMAN : The process. Get the script. Read the script. Generally, there is footage I get to see so we know what we’re talking about. And then it’s just a matter of sitting down in front of the microphone and reading. You know, I have these incredible pipes so it’s no big deal.

Since you’ve narrated so many nature films and scientific films, do you think if you weren’t acting, you could find yourself working in the science field?

MORGAN FREEMAN : I think you have to be left-brained to a certain extent to understand science. I can talk about it but I can’t do it. I was a B-student in math simply because my teachers liked me as an actor. It’s true. They said, “If you were really smart enough, you wouldn’t have made a B in my class so you get a B.” My math professor told me that. If I wasn’t doing this, I’d have no clue because I have no other talent.

You’ve never been to Madagascar?

MORGAN FREEMAN : No, I haven’t. There are so many places I haven’t been to.

What’s coming out next?

MORGAN FREEMAN : TRANSCENDENCE. I’ve got another movie coming up with Diane Keaton. It’s kind of a human interest/love story about an old couple and a weekend in their lives.

Is there a title?

MORGAN FREEMAN : Yes and no. I think the title is RUTH AND ALEX.

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FOR MORE INFO : http://islandoflemurs.imax.com/

ISLAND OF LEMURS : MADAGASCAR IS PLAYING EXCLUSIVELY IN SELECT IMAX® AND IMAX 3D THEATRES NOW

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Win Tickets To The Advance Screening Of HEAVEN IS FOR REAL in St. Louis

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Based on the #1 New York Times best-selling book of the same name, HEAVEN IS FOR REAL brings to the screen the true story that has inspired millions across the globe – that of a little boy’s extraordinary, life-changing experience, and his father’s search for the courage and conviction to share his son’s discovery with the world.

Academy Award® nominee and Emmy® Award-winner Greg Kinnear (Little Miss Sunshine) stars as Todd Burpo, a small-town businessman, volunteer firefighter and pastor struggling to make ends meet in a tough year for his family. After his bright young son Colton (newcomer Connor Corum in his feature film debut) is rushed to the hospital for emergency surgery, Todd and his wife Sonja (Kelly Reilly, Flight, Sherlock Holmes) are overjoyed by his miraculous survival. But they are wholly unprepared for what happens next — Colton starts to matter-of-factly recount what he says was an amazing journey to heaven and back. As Colton innocently tells his parents details of things he couldn’t possibly know, Todd finds himself colliding against a wall of mystery and doubt, until he breaks through to rediscover hope, wonder and the strength of purpose.

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TriStar Pictures presents Heaven is For Real, directed by Randall Wallace, the Oscar®-nominated writer of Braveheart. The screenplay is by Randall Wallace and Christopher Parker, based on the book by Todd Burpo with Lynn Vincent. The film is produced by Joe Roth and T.D. Jakes and the executive producers are Sue Baden-Powell, Sam Mercer and Derrick Williams. Joining Kinnear, Reilly and Corum in the cast are Emmy® Award-winner Margo Martindale (Justified, August: Osage County), Academy Award® nominee Thomas Haden Church (Sideways, We Bought A Zoo), and music by Nick Glennie-Smith.

HEAVEN IS FOR REAL opens on April 16.

The HEAVEN IS FOR REAL screening will be on Thursday, April 10th at 7PM in the St. Louis area. Each pass is good for 2 tickets. If you are a winner, you will need to head over to SONYSCREENINGS.COM and register to receive your two passes.

Answer the following:

Greg Kinnear received an Academy Award nomination for which 1997 film.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. ENTER YOUR NAME AND ANSWER IN OUR COMMENTS SECTION BELOW.

3. YOU MUST SUBMIT THE CORRECT ANSWER TO OUR QUESTION ABOVE TO WIN. NO PURCHASE NECESSARY.

The film is rated PG by the MPAA for the following reasons: thematic material including some medical situations.

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Colton (Connor Corum, LEFT) asks Todd (Greg Kinnear) about what Jesus looks like in TriStar Pictures’ HEAVEN IS FOR REAL. PHOTO BY: Allen Fraser. ©2013 CTMG. All Rights Reserved.

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The behind-the-scenes team includes Academy Award® winning director of photography Dean Semler ACS, ASC (Dances with Wolves, Mad Max: The Road Warrior, Apocalypto), production designer Arv Greywal (Lars and the Real Girl), two-time BAFTA Award winning film editor John Wright A.C.E. (Apocalypto, Speed) and costume designer Michael T. Boyd (Secretariat, We Were Soldiers).

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GODZILLA’s Gareth Edwards Fan Interviews & New TV Spots

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In the run up to the release of GODZILLA, Warner Bros. Pictures is releasing a full series of videos launching on Wednesday each week.

In the weekly ‘Meet the Director’ series, British director Gareth Edwards divulges his experience of taking on the biggest movie of 2014 and about the advantages of being surrounded by “the best of the best” for the release of GODZILLA.

In Summer 2014, the world’s most revered monster is reborn as Warner Bros. Pictures and Legendary Pictures unleash the epic action adventure GODZILLA. From visionary new director Gareth Edwards (“Monsters”) comes a powerful story of human courage and reconciliation in the face of titanic forces of nature, when the awe-inspiring Godzilla rises to restore balance as humanity stands defenseless.

Watch the brand new TV spots for the film.

Gareth Edwards directs GODZILLA, which stars Aaron Taylor-Johnson (“Kick-Ass”), Oscar nominee Ken Watanabe (“The Last Samurai,” “Inception”), Elizabeth Olsen (“Martha Marcy May Marlene”), Oscar® winner Juliette Binoche (“The English Patient,” “Cosmopolis”), and Sally Hawkins (“Blue Jasmine”), with Oscar nominee David Strathairn (“Good Night, and Good Luck.,” “The Bourne Legacy”) and Bryan Cranston (“Argo,” TV’s “Breaking Bad”).

Edwards directs from a screenplay by Max Borenstein, story by David Callaham, based on the character “Godzilla” owned and created by TOHO CO., LTD. Thomas Tull and Jon Jashni are producing with Mary Parent and Brian Rogers. Patricia Whitcher and Alex Garcia are serving as executive producers, alongside Yoshimitsu Banno and Kenji Okuhira.

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The behind-the-scenes creative team includes Oscar-nominated director of photography Seamus McGarvey (“Anna Karenina,” “Atonement”); production designer Owen Paterson (“The Matrix” trilogy); editor Bob Ducsay (“Looper”); Oscar-nominated costume designer Sharen Davis (“Dreamgirls,” “Ray,” “Django Unchained”); and Oscar-winning visual effects supervisor Jim Rygiel (the “Lord of the Rings” films). The score is being created by Oscar-nominated composer Alexandre Desplat (“Argo,” “The King’s Speech”).

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This film has been rated PG-13 for intense sequences of destruction, mayhem and creature violence.

In UK cinemas May 15th and US theaters May 16th

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CAPTAIN AMERICA: THE WINTER SOLDIER – The Review

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Six years don’t seem like that long a stretch of a time, but it’s long enough to create a universe. I should clarify, I mean a cinematic universe. You see, that’s just what they’ve done at Marvel Studios. And what a wondrous place it is! And movie-goers are now able to visit there more than once a year. Hard to believe, but it was back in 2008 that the famed comic book company (lovingly named “The House of Ideas” by Stan Lee himself almost fifty years ago) decided that they should have a more active role in bringing their characters to the silver screen. Media pundits scoffed since several of their biggest properties, namely Spider-Man and the X-Men, were locked down in movie deals with Sony and Fox. But Marvel (with Paramount) initiated their big screen dreams with IRON MAN, and they’ve not looked back. That’s because the Marvel team have a long-goal strategy, for not only was that their first film, but it was the first entry in series referred to as “Phase One” along with THE INCREDIBLE HULK a few weeks after. An Iron Man sequel arrived two years later, with THOR and CAPTAIN AMERICA: THE FIRST AVENGER both opening in the Summer of 2011. The following year MARVEL’S THE AVENGERS concluded the first phase. But would movie audiences still be interested in individual flicks starring these heroes after seeing them team up? That question was answered when “Phase Two” began last Summer with IRON MAN 3. Marvel (now part of the Disney company) decided to venture into cooler weather when they brought out the second Asgardian epic, THOR: THE DARK WORLD in November. And now we’re nearly at the midpoint of the second phase with a springtime release, CAPTAIN AMERICA: THE WINTER SOLDIER. And in many ways, this crackling action-adventure tale may be the brightest gleaming jewel in Marvel’s dazzling movie crown.

The film begins on a quiet, early morning in our nation’s capital. After helping thwart the alien invasion of NYC with the Avengers, Steve Rogers AKA Captain America (Chris Evans) is enjoying a brisk run along the waterfront. Cooling down, he recognizes the jogger he’s passed several times (“On the left”) relaxing under a tree. It’s Sam Wilson (Anthony Mackie), a veteran just like Steve, but from a much more recent conflict. Sam invites him to stop by the VA facility where he works. But before the men can exchange more combat stories, duty calls via the arrival of Natasha Romanoff AKA the Black Widow (Scarlett Johansson). Soon, under the cover of darkness, the two, along with a SHIELD strike team, are jetting over the high seas on a mission to rescue a freighter that’s been hijacked by terrorists. But this ship holds an unusual cargo: advanced Shield technology, guarded by several now captive agents. Back in DC (sorry Marvel-maniacs!), director of SHIELD Nick Fury (Samuel L Jackson) is tight-lipped with Steve as they observe the construction of a new, more powerful fleet of “heli-carriers”, massive  nearly invisible flying battleships that hover over the Earth. Steve has concerns over that, even after talking with a member of the shadowy Safety Council (SHIELD’s bosses), a senior political power player named Alexander Pierce (Robert Redford) who believes that the “Battle of New York” makes this new aggressive stance necessary. But this is just the tip of the iceberg as a menace from Steve’s past returns and he must throw down against the mysterious, ultimate assassin, the Winter Soldier.

With this new thriller Evans  proves to be much more than a mannequin for variations of that patriotic uniform. As a matter of fact he’s become as comfortable sliding into that fighting gear as a certain children’s’ TV icon was donning his sweater and sneakers. Evans is impressive in the many battle sequences whether doling out the smack-downs or straining against formidable odds. And he uses that shield with as much skill and precision as ‘Fast’ Eddie Felson did with his cue stick in a billiards tourney. You can almost imagine the baddies in their neckbraces and bandages being arraigned after Cap hands them over. But we also see an emotional progression in Steve Rogers. He’s working hard to embrace the new world he’s now living, while still honoring those long. lost decades. You see him almost getting misty-eyed as he tries to take stroll through (incognito, of course) an exhibit dedicated to him at the Smithsonian (he’s a living museum piece!). You may have a tough time not getting misty-eyed yourself when Steve revisits a major person from his past. Evans expertly tries to put on a brave, cheerful face while regret pummels his heart. He knows exactly how to temper the gung-ho, big boy scout aspects of Cap while letting us know that despite that “super-soldier formula and vita-rays” pulsing through his veins, Steve Rogers is just as vulnerable as any of us. Cap’s not merely a servant who follows orders without question.  He’s dedicated to the ideals of this country more than any agency or official. We can see why Sam Wilson doesn’t hesitate to join  him without explanation when Steve asks for his help.

Speaking of Sam, Mackie is a terrific new addition to the series as the high-flying Falcon, and more importantly as a friend and confidant. The two men have an easy rapport and an obvious respect and admiration for each other with Mackie’s great comic delivery keeping Cap grounded. Of course, both are helped considerably by Johansson as the alluring, cool, and deadly Widow. She and Steve become almost a superhero version of Mulder and Scully as they try to evade the bad guys while seeking the truth. Their banter is full of great wit and a little flirtation. There’s less of the master interrogator here and more of the Emma Peel sexy superspy second only to the master-spy himself, Nick Fury played for the fifth time on-screen by Jackson. This time he’s not just strutting in his long black leather dusters or growling at Tony Stark. He’s more of the man of action than was shown is his last outing as he faced down Loki. But Jackson makes the low-key dialogue scenes (as when he tells Cap a story about his grandpa’) just as compelling as when he must survive an armed ambush. As terrific as the team is, the addition of the iconic Redford takes the film to another, higher level (hey, the perennial “golden boy’ would’ve made a pretty good Cap himself decades ago). He brings an unexpected gravitas to every scene, completely believable as this seasoned politico. After last year’s low-budget, sensational one-man drama ALL IS LOST, Redford proves he can waltz into a big-budget franchise and be just as riveting as any big stunt spectacle. Nice to see that the Sundance Kid is still full of surprises.

Here's a classic comic cover from the 1970's drawn by Cap's co-creator Jack "King" Kirby!
Here’s a classic comic cover from the 1970’s drawn by Cap’s co-creator Jack “King” Kirby!

I would be remiss if I didn’t single out several actors for praise, but in order not to chance ruining some plot twists and turns (even though these players are credited on IMDB and their stories have been featured in recent comics), I’ll slap on a big “SPOILER ALERT”!! Sebastian Stan makes quite an impact as the “Winter Soldier”. He’s a cold unstoppable killing machine with an incredible array of impressive high-tech weaponry along with a deadly pair of revolvers. Stan stares at his victims with the intensity of a TERMINATOR. Later on, as his repressed memories begin to break through, he has a sad, confused quality reminiscent of Peter Weller’s original Robocop. Also Hayley Atwell has a heart-wrenching couple of scenes as the love of Steve’s past. Back also is Toby Jones as Arnim Zola, no longer a fearful ‘toadie’ to the Red Skull, but full of deadly futuristic villainy. “END OF SPOILER ALERT”!! Just like her boss Nick Fury, agent Maria Hill played by TV sitcom vet Cobie Smolders has a lot more to do this time around and makes a great action star. Also from the tube, Emily VanCamp sparkles as Steve’s neighbor who is much more than she appears to be. For a superhero flick, this is quite an impressive pack of players.

And what a wonderful sandbox said players get to explore. One of the most engaging aspects of the early “Marvel Age of Comics” was the then radical idea of a shared universe. Each hero did not work in a vacuum, especially since most were based in NYC. Characters would approach the other for help, hear of another’s exploits, or just run into each other (sometimes leading to an obligatory “all a big misunderstanding” fight scene). Not only are there “call-backs” to the last Captain America” film, and the big Chitari/Avengers fight, but the script is liberally peppered with Marvel references: the new “heli-carriers” are outfitted with the latest from Stark Industries, someone uses a sedative developed by Bruce Banner, and (oops, almost had to issue another alert!). Credit goes out to returning screenwriters Markus and McFeely for bringing cap into the current century with great humor (love Steve’s “to do” notebook, no hand-held gizmos for him!) and sprinkling in some current event political commentary. Some of this was touched on in the Avengers film, the Iron Man trilogy, and even in THE DARK KNIGHT, but this film seems even more relevant with spy drones, and security agencies invading privacy stories dominating the news headlines. That’s one of the things about Cap that Stan Lee and the writers that followed used for those “Tales of Suspense” comics. Though he was born in the 1940’s Captain America will always be current to the times when utilized by talented scribes. Henry Jackman follows the previous film’s composer Alan Silvestri and gives the proceedings a rousing musical score. But the big surprise behind the scenes is in the director’s chair (correction, chairs!). Joe Johnston followed up his superb 1930’s set THE ROCKETEER with the 1940’s CAPTAIN AMERICA: THE FIRST AVENGER for nostalgic adventures and wartime exploits. But for this modern-day thriller, the Marvel Studios hired the Russo brothers (Anthony and Joe), duo best known in the world of TV comedy (“Community”, and “Arrested Development”) although they did make a couple of features (YOU, ME, AND DUPREE, WELCOME TO COLLINWOOD). These two hit all the right notes as they keep the dialogue exchanges crackling, and the action exhilarating (they make the many hand-to-hand fight scenes just as powerful as anything in THE RAID films). We even get  return visit from the “scrawny” Steve from the last film’s origin story! Could this be the start of another sibling directing dynasty ala’ the Coens? We’ll see. Luckily the Marvel execs have already signed them up for Cap’s next solo outing. Innovative thinking like that has made the Marvel movie universe the go-to destination for film makers and film-lovers. Need I tell you to stick around during the end credits for some bonus “goodies” ?Aw, man! Back to the real-world universe! But we’ll get to go back there in just four months when we meet the GUARDIANS OF THE GALAXY in August! Hey Cap, in case the chest-front of your uniform gets damaged in battle while you’re protecting us, here’s some back-up stars for you’! You earned em’!!

5 Out of 5

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Captain America History 101 – Redux

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Well, the big day is finally here! After leading the Avengers in stopping an alien invasion Summer before last, our favorite shield-slinger returns to the multiplexes in an all new solo adventure (well, he’s got some help from the Black Widow and the high-flyin’ Falcon)! Before you head out, you may want to brush up on all things Steve Rogers (don’t worry, this won’t be on the final!)! Have fun and buy bonds!

Read my original review of CAPTAIN AMERICA Here.

Here’s my original article that ran on WAMG before CAPTAIN AMERICA: THE FIRST AVENGER was released in 2011.

The very first appearance of the sentinel of liberty.

Okay fellow movie geeks! Ready for a bit of pop culture history? Before you head out to the multiplex this weekend to see Paramount’s CAPTAIN AMERICA: THE FIRST AVENGER, let’s get better acquainted with the story of this star-spangled superhero. Pencils ready! This may be on the finals!

Let’s go back a few years to Cap’s original glory days. He literally exploded on the comic scene in 1941 with Captain America Comics #1 from Timely Comics. That company had been trying to carve out a slice of the big super hero comics market pie since National Periodicals had caused a sensation with Superman in 1938 and Batman the following year. In 1939 they had a big seller with Marvel Mystery Comics #1 and introduced their two breakaway stars: The Human Torch and The Sub-Mariner. Who would come up with the next great super hero? Luckily for Timely the had the services of one of the greatest creative teams in comic book history – Joe Simon and Jack Kirby.

Simon and Kirby had given Timely several new heroes, including The Vision, but nothing close to The Human Torch and the Sub-Mariner in popularity. The war was heating up and it was only a matter of time before the United States would be involved. Simon thought a patriotic hero might break through. MLJ(later known as Archie Comics) had come out with a red, white, and blue hero called The Shield which was a modest success. “Perhaps a character with America in his name?”, thought Simon. Maybe Super American? Nope, too many ‘supers’ out there. A military title-Captain! He sketched up the uniform and got the approval from publisher Martin Goodman. Kirby quickly got to work on the pencils. This new creation would not be introduced in one of the anthology books, but would debut in his own self titled book. Issue #1 stirred up quite a bit of controversy as it featured Cap planting a sock on Adolf Hitler’s jaw-a year before the US entered the war! It was cover dated March 1941, but hit the street in December 1940. It was a big hit and soon other comic companies had to have their own flag-wearing heroes (Commando Yank, The Patriot, Major Liberty).

Captain America’s origin was the first story in that very first issue. In response to act of sabotage, the president himself sends two high ranking military officers to witness an experiment. They are in the observation gallery when Professor Reinstein injects a scrawny volunteer with a chemical that transforms him into a muscled ’ super-soldier’. The professor proudly announces that he will be the first of many. Unfortunately one of the gallery audience attendees is an undercover Gestapo agent who opens fire on the scientist. He had never written down the formula, so the program dies with the professor. The only ’super-solider’ grabs the still firing spy and delivers a mighty blow. In trying to escape the spy gets tangled in some machinery and is electrocuted. The volunteer becomes Captain America and begins smashing up saboteur rings. At Camp Leigh, camp mascot Bucky Barnes walks into Private Steve Rogers’s tent as he dons the red, white, and blue uniform. Rogers swears Bucky to secrecy and enlists him as his spy smashing sidekick Bucky. A few pages later they would meet Cap’s arch enemy, the Red Skull. And so the legend begins.

Up to this point super hero comics were an extension of the popular newspaper adventure comic strips. Simon and Kirby turned this staid format on it’s ear. They had title splash pages filled to the edges with action. Panel layouts varied in size on a page as opposed to the standard grid format of most comics. Speaking of panels, the heroes and villains could not be contained in the panels. Their highly contorted, muscular bodies burst out of the borders. It was almost 3-D comics without the special glasses.

At the end of that first story, readers were invited to join the first comic book hero fan club-Captain America’s Sentinels of Liberty. For one thin dime you would receive an official membership card and a bright red, white, and blue metal pin. The club was discontinued a couple years later supposedly because of the scarcity of metal during the height of the war.

A poster for the 1943 Republic serial.

And starring as our hero, Dick Purcell!Two years later Cap was on movie screens across the country. In 1943 Republic Studios released a fifteen chapter movie serial titled Captain America. It was a high quality production, although fans of the comic book were no doubt disheartened by the film interpretation. Gone were the wings on his mask, the shield, and Bucky. Gone also was Cap’s Steve Rogers identity. Instead of being a soldier he was now crusading district attorney Grant Gardner. And instead of hunting Nazi agents Cap was on the trail of the master criminal called The Scarab who’s murdering the members of an expedition. Horror film veteran Lionel Atwill made a great hiss-able villain as the Scarab and Dick Purcell ( THE BANK DICK ) was a good square-jawed hero, but it just wasn’t our Cap. A recent story about the serial gives an explanation for the many changes. Republic had done well with serials based on two characters from Fawcett Comics-Captain Marvel and Spy Smasher. Rumor has it that they had a script written based on another Fawcett super hero Mr. Scarlet, who was a district attorney in his secret identity. Supposedly the studio had a falling out with the comic publisher and instead of discarding the script, Republic got the rights to Timely’s Captain America and changed him to fit the completed script. Many years later film maker Don Glut borrowed the original serial costume from memorabilia collector Bob Burns and shot a Captain America short film. You can see it on the recent DVD release ” I Was a Teenage Movie Maker”.

After ten great issues Simon and Kirby were let go from Timely after a dispute and other artists ( Syd Shores, Al Avison ) continued Cap’s adventures in his own book along with appearances in USA Comics, Marvel Mystery Comics, and All-Select Comics ( artist Alex Schomberg contributed wild, action packed covers for these books ). Simon and Kirby went over to National ( DC Comics), revamped their Sandman and Manhunter characters and created the Newsboy Legion along with the smash hit Boy Commandos. A few years later they would invent romance comics and do a Captain America parody called Fighting American. Back at Timely, after World War II ended Steve Rogers put away his khakis and pulled on a tweed jacket as a high school teacher. His new occupation would not last long. With the Axis defeated, the superheroes lost their great enemy and the comic reading public lost interest in them. Not even having Cap and Bucky team up with other Timely heroes The Human Torch and Toro, The Sub-Mariner, The Whizzer, and Miss America in the All-Winners’ Squad could heat up comic sales. Funny animals and true crime tales were the new big trend on the comic racks. In an attempt to boost sales Bucky ( badly wounded and in the hospital ) was replaced as Cap’s fighting partner by the glamorous Golden Girl. Finally his book was renamed Captain America’s Weird Tales with issue # 74 to capitalize on another trend: horror. With #75 Cap was not in his book any longer. By the end of 1950, Captain America was gone, but far from forgotten.

Cap’s 1940’s comic book swan song.

Surprisingly he was back three years later. Buoyed by the success of the TV show ” The Adventures of Superman ” starring George Reeves, Timely ( now Atlas )decided to bring back the superheroes- specifically The Human Torch, The Sub-Mariner, and Captain America. They returned in Young Men #24. Steve Rogers was back teaching school, Bucky had healed, and Steve’s alter ego was now “Captain America-Commie Smasher” , reflecting the cold war concerns. Cap’s old Nazi foe The Red Skull was naturally now a ‘red’ agent. The principal artist was now John Romita, future Marvel art director ( and second Spider-Man penciller). But the new stories didn’t take off. After four more issues of Young Men, two issues of Men’s Adventures, and three more issues of his revived self titled book, Captain America was back in comic book limbo.

About ten years later, Cap was back in action thanks in part to rival DC Comics, strangely enough. In 1956 DC had decided to test the waters by featuring a new, revamped version of one of their 1940′s heroes, The Flash, in Showcase #4. New versions of Green Lantern, Atom, Hawkman, and a superhero team book, Justice League of America, soon followed. Legend has it that Atlas publisher Martin Goodman was golfing with one of the DC big-wigs, when the man started boasting about the sales figures on the Justice League book. Returning to the office, Goodman instructed editor Stan Lee to come up with a team of superheroes. He presented him with the Fantastic Four and soon Atlas became Marvel Comics. One member of the group, Johnny Storm, appropriated the name and powers of the old Timely hero, The Human Torch. In Fantastic Four issue #4, Lee brought back the Sub-Mariner as a villain. Several fans wrote in suggesting a revival of Captain America , although Lee wasn’t quite sure yet. He did have a soft spot for Cap as his first published piece with the Stan Lee by-line was a text story, “Captain America Foils the Traitor’s Revenge” back in 1941′s Captain America Comics #3. Still being cautious, he decided to feature Captain America on the cover of Strange Tales #114 in a solo story of the new Human Torch. By the end of the tale, Johnny Storm learned that this Cap was an imposter-it was an old enemy, the Acrobat! In the final panel, Lee asked readers if they’d like to see Captain America return. His office was hit by an avalanche of mail. Cap would return, but how would he become a part of this new Marvel age of comics in 1964?

Marvel tests the waters for Cap’s return.

The real Cap came back in The Avengers issue #4 ” Captain America Joins the Avengers”. Stan Lee had decided that the Cap stories after the end of World War II did not exist. In the story the Avengers ( Iron Man, Thor, Giant-Man, and the Wasp ) are returning to New York in their underwater transport craft after doing battle with the Incredible Hulk and the Sub-Mariner in the previous issue. Peering through a glass portal, they spot a man floating in the icy waters of the North Atlantic. Giant-Man opens the escape hatch, reaches up, and pulls the nearly lifeless body into the craft. The Wasp is the first to recognize him as the legendary hero. Cap suddenly bolts upright, screaming, “Bucky! Bucky! Look Out!”. Seems that in the last days of the war, Cap and Bucky leaped onto to a flying drone plane full of explosives. Realizing that the plane is seconds from blowing up, Cap drops from the craft and calls for Bucky to do the same. But he is too late. As Cap plunges down into the icy water he sees the drone plane explode. Since that incident he’s been frozen , floating in suspended animation. He’s not aged a day in the past twenty years. After a brief dust up with the other heroes ( a typical Marvel misunderstanding ), Cap saves them from an alien threat and is invited to join the Avengers. He would become a mainstay of the book during the 60′s , and after the departure of the first heroes in issue #16 Cap would be the leader of the new members (  former villains Hawkeye, the Scarlet Witch, and Quicksilver ).

The real deal is back!

The response to Captain America’s return had Marvel thinking about giving him his own book. At that time the distributor Independent News  limited the number of titles Marvel could produce. Many of the heroes shared books that used it’s  titles from the sci-fi/ mystery books of the Atlas era. Tales to Astonish features the Incredible Hulk and Ant-Man/Giant-Man with the Wasp ( Sub-Mariner would later share the book with the Hulk). Strange Tales had Dr. Strange ( of course ) and the Human Torch ( soon replaced by Nick Fury, Agent  of SHIELD ). It was decided that Cap would share Tales of Suspense ( starting with issue #59 ) with his Avengers team mate Iron Man. Luckily  Cap’s co-creator Jack Kirby was on hand to draw up most of these ten page stories. Kirby had ended up back with  Timely ( now Marvel ) after ending his partnership with Joe Simon. When he returned he became one of the prime artists on the many books featuring giant creatures on the loose. After Stan Lee came up with the Fantastic Four, Kirby was the one who helped visualize them. He designed the look for most of the growing stable of stars ( although Steve Ditko would be that art force behind Spider-Man and Dr. Strange ). The Captain America stories were a showcase for Kirby’s incredible battle sequences. It’s amazing how much action he could pack in those ten pages. With issue #63 the series focused on Cap and Bucky’s wartime adventures. Cap was back in his glory days alongside the man who drew him in those early stories. The Red Skull was also brought into the Marvel age. Later it was revealed that the Skull had also been in suspended animation for the past two decades thanks to an experimental gas. Several other artist contributed to these short stories including George Tuska, John Romita, Dick Ayers, and Gil Kane.

Captain America returned to comic books just in time for the superhero explosion of 1966 ( thanks to the Batman TV show ). His smiling image appeared on countless toys. Cap got his own board game from Milton Bradley. Aurora, the company behind the classic movie monster models , produced a Captain America plastic model kit along with his Marvel co-stars Spider-Man and the Incredible Hulk. And of course, Cap was a popular  Ben Cooper Halloween costume, One of the best remembered toys of this era was an action figure ( not a doll ) called  Captain Action from Ideal. Similar in size to Hasbro’s GI Joe, Captain Action could be dressed up as different comic book and comic strip heroes (as opposed to Joe who could be dressed in different military outfits). Captain America was in the first wave of outfits produced along with another Marvel star Sgt. Fury ( Spider-Man would soon join them). Cap was also on a View Master reel and a coloring book featuring art from a John Romita story.  Cap , along with Spider-Man, seemed to be the most merchandized of the Marvel heroes.

For a brief time Captain America entered the world of paperback novels. In 1967 Bantam Books released “The Avengers Battle the Earth Wrecker”  by Otto Binder featuring Cap on the cover alongside Goliath, Hawkeye, Quicksiver, and the Scarlet Witch. Inside they fought, with some help from Iron Man, the outer space menace known as Karzz. The next year Bantam released a solo book, “Captain America: The Great Gold Steal “ by Ted White. This paperback sports a gorgeous, full- color, painting of our hero( with shield in one hand and toting some sort of blaster gun in the other). Both books featured introductions by Stan Lee. Eleven years later Marvel would team up with pocket books for a series of paperbacks based on their heroes.  Marvel Novel Series #4 features Cap in “Holocaust For Hire” by Joseph Silva.  Marvel Novel series #10 has Cap along with the Avengers in “The Man Who Stole Tomorrow” by David Michelinie. Both books had great painted covers by Dave Cockrum. Almost twenty years later another Cap novel was released: “Captain America: Liberty’s Torch” by Tony Isabella and Bob Ingersoll. This had interior black and white illustrations by Mike Zeck and Bob McLeod and a shiny color cover by James Steranko.

The first Cap paperback novel.

Superheroes dominated children’s TV in 1966, so it was no surprise when Marvel entered animation. The Grantray-Lawrence Productions syndicated ” The Marvel Superheroes” cartoon shows to local TV stations across the country. Each half hour episode featured one of five heroes: Iron Man, The Mighty Thor, Sub-Mariner, The Incredible Hulk, or Captain America. To call them animated is a bit of a stretch. The animators Xeroxed the proof art from the books and would eliminate a limb that needed to move, say an arm or leg and then just animate that part. The mouths moved to the recorded dialogue and the eyes blinked. Besides an occasional sound effect word ( POW! ZONK! ), that’s all the movement there would be. Because some of the other characters had been at Marvel a bit longer, several Avengers stories were adapted for the Captain America episodes. These cartoons were a fixture on “Corky’s Colorama” that aired On KSDK channel 5 in the St. Louis area. In the early eighties Cap made some appearances on “Spider-Man and His Amazing Friends” on NBC Saturday mornings. Later he made guest spots on the Fox Kids show “The Avengers” and on Kids WB’s “X-Men Evolution”. Currently Cap is featured on Cartoon Network’s “The Super Hero Squad” and ” The Avengers: Earth’s Mightiest Heroes” on the DisneyXD cable network.

Back at the comic book rack, in 1968 Marvel reached an agreement with their distributor Independent News and was able to expand their line. The first two characters to get their solo books were The Incredible Hulk and Cap. With issue #100 Tales of Suspense became Captain America. The first few issues became a showcase for Jack Kirby’s talents. James Steranko (the wonder behind Nick Fury, Agent of SHIELD) took over the penciling duties in issues #110, 111, and #113 and created an epic adventure where Cap and Rick Jones (garbed as Bucky) battled the evil organization HYDRA. At the end, Cap had faked his death and walked off into the night alone. The series then began to really explore Stan Lee’s take on Cap as a man out of his time, still wracked with guilt over Bucky’s death. He began to question his ideals and his faith in the government. Kirby did not return to the book so several artists took over such as John Buscema, John Romita, Gil Kane, and Gene Colan ( who stayed for several issues). Cap got an new partner, Sam Wilson AKA The Falcon in issue #118. The Falcon was one of the first black heroes that Marvel introduced in the 70′s. Cap tackled a Watergate-style conspiracy and discovered the truth about his 1953 incarnation in stories drawn by Sal Buscema. Jack Kirby returned to write and draw the book in the late 70′s followed by comic strip artist Frank Robbins. In the mid 70′s Roy Thomas created a new book, “The Invaders” which had Cap teaming up with The Sub-Mariner and the original Human Torch during World War II. In the 1980′s writer Roger Stern and artist John Bryne had Cap become a working artist, get a new girlfriend (Bernie Rosenthal), and ponder a run for the White House. They also revealed a great new villain- Baron Blood, a Nazi vampire! Cap would soon be part of the Secret Wars and then be revamped by Rob Liefeld in 1996′s “Heroes Reborn” universe. This occurred a couple years after Cap’s appearances in the epic mini-series “Marvels” written by Kurt Busiek and beautifully painted by Alex Ross. A version of Cap appears in the Ultimate Universe line in a more military uniform without his mask wings.

Cap finally gets his own book in the late 1960’s!

Through this time Cap was brought to small screens in two made for TV live action movies produced by Universal and airing on CBS. In the late 70′s Universal Studios optioned several Marvel characters for potential TV movies and series. The first one was “The Incredible Hulk” which birthed a very successful TV series starring Bill Bixby. A Dr. Strange movie starring Peter Hooten aired in 1978. The next year” Captain America” aired on CBS starring Reb Brown ( UNCOMMON VALOR ) as Steve Rogers, the son of the original Cap. He’s recruited by a secret government agency to take the serum dubbed FLAG that had given his dad enhanced abilities. By the end of the film he gets a special suped-up motorcycle, a bulletproof shield ( that has red and clear stripes ), and a star spangled uniform. But not the one from the comics! His suit looks more like the Fighting American uniform that the comic book threads! The following year the suit in “Captain America II: Death Too Soon” was closer to the comic classic, but this did not help it get picked up as a series despite having the lovely Connie Sellica and horror movie icon Christopher Lee as the villain.

Reb Brown in the first Cap CBS TV movie!

Cap continued to be merchandised through the years. He was part of Mego’s action figure superhero line in the 70′s. Mattel put out a Secret Wars Cap figure. For the last few years Toy Biz has issued many different versions of Cap. He’s also been a star in video games with the Captain America and The Avengers arcade game from the 90′s. Cap has also been a part of several Marvel themed games for home video gaming systems.

In the late 1980′s Cap finally was poised to hit the movie screens again. For many years Cannon Films had taken out trade ads announcing their intention to star Cap in a live action feature film. In 1989 Menachem Golan split from the studio and began work ( perhaps prompted by the blockbuster 1989 Batman film )on making a Cap film for his new company 21stCentury Film Corporation. The 12 million dollar production would be directed by Albert Pyun and shoot in Yugoslavia, LA, and Alaska. The cast included Ronny Cox ( as the US president ), Ned Beatty, Melinda Dillon, and Michael Nouri. Starring as Steve Rogers would be screen newcomer Matt Salinger ( son of author J.D. ). The Italian mastermind The Red Skull is played by Scott Paulin ( THE RIGHT STUFF, TEEN WOLF ). Yes, that’s right! Italian! It’s been speculated that the film’s German investors might have prompted that change. At least the movie gets a few things right. It begins in World War II. The shield and the suit look right- it’s rubber latex with fake ears attached to the mask. Oh, the doctor behind the  “super soldier program” is Italian, too. And a woman. Cap is strapped to a missile after being defeated by the Skull as Mussolini (!) looks on. The missile crashes into the arctic where Cap is discovered decades later, frozen in ice. He thaws and spends the rest of the film being pursued by US agents and the Skull’s henchmen. The movie could not get an American distributor and sat on the shelf for two years till it was released directly to the US home video market in 1992. It often pops up on cable TV. There was talk of a Captain America Broadway musical, but for now it seemed like there would never be another big screen film based on the character.

Matt Salinger in the 1990 straight to home video Cap movie.

In the last few years Captain America is still a big seller at comic shops ( no news stands and candy shops anymore ). Cap was a major player in the Civil Wars mini-series and made some news reports a few years back when he was assassinated by a sniper. There were attempts to fill the uniform with Hawkeye and a resurrected Bucky ( now known as Winter Solider-seems he was in suspended animation too). Of course most comics characters don’t stay dead too long and soon Steve Rogers was back in uniform, perhaps just in time for some major event.

Oh yes, just in time for July 22. That’s the date that CAPTAIN AMERICA: THE FIRST AVENGER opens at movie theatres all across the country. A few years back Marvel decided to produce movies on their own based on several of their own characters not licensed out to other film studios. They entered into an agreement with Paramount Pictures and the first of the Marvel Studios films, IRON MAN was released to great accolades and big box office in 2008. IRON MAN 2 followed in 2010 and THOR hit theatres this past May. In this new Cap film Chris Evans ( Johnny Storm in the two Fantastic Four films) stars as Steve Rogers and Hugo Weaving ( of the Matrix trilogy) is Johann Scmidt AKA The Red Skull. Stanley Tucci is Dr. Erskine, the mind behind the “supersoldier” formula and is assisted by Dominic Cooper as Howard Stark ( Tony’s dad). Hayley Atwell is soldier and love interest Peggy Carter and Oscar winner Tommy Lee Jones is Col. Chester Phillips. From the previews it appears that Cap leads the Howling Commandos headed by Neal McDonough as ‘Dum Dum’ Dugan and Sebastian Stan as James ‘Bucky’ Barnes, so we know it’s primarily set in the 40′s. The film is written by Christopher Markus and Stephen McFeely and directed by Joe Johnson -no stranger to comic book based films as he also directed 1991′s THE ROCKETEER. It looks as though The Red Skull discovers the Cosmic Cube (introduced at the end of THOR ) and leads the forces of HYDRA going by the photos and previews. No other details of the plot have been released, but we do know that Captain America will be part of THE AVENGERS when the film is released through Disney to theatres next Summer.

So maybe a whole new generation will be introduced to the exploits of the good Captain in the multiplexes over the next few months. Perhaps will see some tykes grabbing a garbage can lid and leaping into battle against the forces of evil. We may even hear a few bars of that great cartoon theme song with lyrics by Stan ‘the man’ Lee:

When Captain America throws his mighty shield,

All those who chose to oppose his shield must yield,

When he’s lead to a fight

And a duel is due

Then the red and the white and the blue will come through,

When Captain America throws his mighty shield!

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Win Tickets To The Advance Screening Of Disneynature’s BEARS in St. Louis

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In an epic story of breathtaking scale, Disneynature’s new True Life Adventure BEARS showcases a year in the life of a bear family as two impressionable young cubs are taught life’s most important lessons. Set against a majestic Alaskan backdrop teeming with life, their journey begins as winter comes to an end and the bears emerge from hibernation to face the bitter cold.

The world outside is exciting – but risky – as the cubs’ playful descent down the mountain carries with it a looming threat of avalanches. As the season changes from spring to summer, the brown bears must work hard to find food – ultimately feasting at a plentiful salmon run – while staying safe from rival male bears and predators, including an ever-present wolf.

BEARS captures the fast-moving action and suspense of life in one of the planet’s last great wildernesses—Alaska! Directed by Alastair Fothergill (“Earth,” “African Cats” and “Chimpanzee”) and Keith Scholey (“African Cats”), and narrated by John C. Reilly, BEARS arrives in theaters April 18, 2014, to celebrate Earth Day.

WAMG invites you to enter to win a pass (Good for 2) to the advance screening of Disneynature’s BEARS on Saturday, April 12 at 10am in the St. Louis area.

Answer the following:

How tall can a Brown Bear grow?

a – 8 Feet
b – 8 Feet and 7 inches
c – 9 Feet
d – 10 Feet

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. ENTER YOUR NAME AND ANSWER IN OUR COMMENTS SECTION BELOW.

3. YOU MUST SUBMIT THE CORRECT ANSWER TO OUR QUESTION ABOVE TO WIN. NO PURCHASE NECESSARY.

The film is rated G.

BEARS

Website and Mobile Site: Disney.com/Bears

For more information about Disneynature, like us on Facebook: facebook.com/Disneynature and follow us on Twitter: twitter.com/Disneynature.

Photos: © Disney

Disneynature's BEARS

Disneynature's BEARS

Disneynature's BEARS

Holly Hunter Joins the Cast of Director Zack Snyder’s Untitled Superman/Batman Film

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Warner Bros. Pictures announced today that Oscar-winning actress Holly Hunter, Callan Mulvey of “300: Rise of an Empire,” and Tao Okamoto of “The Wolverine” have joined the cast of the upcoming Zack Snyder untitled Superman/Batman film.

All three actors will play characters newly created for the film.

Snyder’s film stars Henry Cavill, reprising his role as Superman/Clark Kent, Ben Affleck as Batman/Bruce Wayne, and Gal Gadot as Wonder Woman/Diana Prince. The film also stars Jesse Eisenberg as Lex Luthor and Jeremy Irons as Alfred, and reunites “Man of Steel” stars Amy Adams, Laurence Fishburne and Diane Lane.

The film is set to open worldwide on May 6, 2016, and is based on Superman characters created by Jerry Siegel & Joe Shuster, Batman characters created by Bob Kane, and Wonder Woman created by William Moulton Marston, appearing in comic books published by DC Entertainment.

Snyder stated, “Holly has always been one of my favorite actresses; she has immense talent and is always captivating on screen. I had an opportunity to meet her a while back and knew instantly that I had to work with her, so as we began writing the script I made sure to create a role specifically for her.

“I just had the good fortune to work with Callan on ‘300: Rise of an Empire’ and was very impressed with his incredible talent,” the director continued. “He’s a fantastic actor and I’m looking forward to having the chance to work with him again. And, quite simply, Tao is a striking presence whose beauty is aptly rivaled by her amazing abilities as an actress. I’m really excited to have her joining us on this adventure.”

Hunter received the Academy Award® and a Golden Globe Award for her starring role in Jane Campion’s “The Piano.” She also garnered Oscar® nominations for her work in “Broadcast News,” “The Firm” and “Thirteen.” She has starred in such films as the Coen brothers’ “Raising Arizona” and “O Brother, Where Art Thou?,” Steven Spielberg’s “Always,” Lasse Halström’s “Once Around,” Jodie Foster’s “Home for the Holidays” and Brad Bird’s animated hit “The Incredibles.” Hunter was nominated for a Screen Actors Guild Award® when she reunited with Campion for the TV miniseries “Top of the Lake.” She next appears in David Gordon Green’s “Manglehorn” and in Terrence Malick’s upcoming feature.

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Australian-born Mulvey stars in the current box office hit “300: Rise of an Empire,” produced by Snyder. He also appeared in Kathryn Bigelow’s “Zero Dark Thirty,” and will next be seen in “Captain America: The Winter Soldier.”

In addition to “The Wolverine,” Okamoto also appeared in the video “The Wolverine: The Path of a Ronin,” and in the Japanese television miniseries “Chi no wadachi.”

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The new film is currently being written by Chris Terrio, from a screenplay by David S. Goyer. Charles Roven and Deborah Snyder are producing, with Benjamin Melniker, Michael E. Uslan, Wesley Coller, David S. Goyer and Geoff Johns serving as executive producers.

The announcement was made today by Greg Silverman, President, Creative Development and Worldwide Production, and Sue Kroll, President, Worldwide Marketing and International Distribution, Warner Bros. Pictures.

THE EXPENDABLES 3 Trailer & 16 Character Posters Storm in With Stallone, Gibson, Ford, Schwarzenegger

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Get ready for a high octane ride with THE EXPENDABLES 3. The third chapter of the franchise features Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, Terry Crews and Arnold Schwarzenegger returning to their roles in the first two films with Wesley Snipes, Antonio Banderas, Mel Gibson and Harrison Ford joining the all-star cast along with Kellan Lutz, MMA star Ronda Rousey, welterweight boxing champion Victor Ortiz and Glen Powell.


(Yahoo! Movies)

In THE EXPENDABLES 3, Barney (Stallone), Christmas (Statham) and the rest of the team come face-to-face with Conrad Stonebanks (Gibson), who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill… or so he thought.

Stonebanks, who eluded death once before, now is making it his mission to end The Expendables — but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy.

The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables’ most personal battle yet.

The first two installments of THE EXPENDABLES have grossed nearly $600 million in combined global box office.

THE EXPENDABLES 3 is written by Sylvester Stallone, Creighton Rothenberger & Katrin Benedikt.

Directed by Patrick Hughes, THE EXPENDABLES 3 will be in theaters August 15th.

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twitter.com/Expendables3

Don’t miss out on the latest character and film updates for THE EXPENDABLES 3 gang, by checking out the newly launched Tumblr Page! http://theexpendables3film.tumblr.com

Which Expendable are YOU? Take this 12-question BuzzFeed quiz to determine, once and for all, which of the 16 characters from THE EXPENDABLES 3 is your ass-kicking mercenary counterpart! http://www.buzzfeed.com/theexpendables3/which-expendable-are-you 

Posters: ©Lionsgate

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SHAUN THE SHEEP THE MOVIE Trailer

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From Aardman, creators of Wallace & Gromit, comes the teaser trailer for SHAUN THE SHEEP THE MOVIE. Appearing in A CLOSE SHAVE, “Be careful Shaun!” what he lacks in size, he makes up in character: curious, brave and an all-round appetite on legs. Eats anything, anywhere. Fleeced but not stirred.

When Shaun decides to take the day off and have some fun, he gets a little more action than he baa-rgained for! Shaun’s mischief accidentally causes the Farmer to be taken away from the farm, so it’s up to Shaun and the flock to travel to the Big City to rescue him.

Will Shaun find the Farmer in the strange and unfamiliar world of the City before he’s lost forever? Join Shaun and the flock on their hilarious, action-packed adventure in SHAUN THE SHEEP THE MOVIE – only in cinemas Spring 2015.

http://www.shaunthesheep.com/

https://www.facebook.com/shaunthesheep

https://twitter.com/shaunthesheep

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QFest St. Louis to be Held April 27th – May 1st at the Tivoli – LGBT Film Festival

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A documentary about Star Trek’s George Takei (TO BE TAKEI), another about gay teens taken from their homes and ‘straightened out’ (KIDNAPPED FOR CHRIST), and a gay twist on the Lethal Weapon franchise (HOT GUYS WITH GUNS) are just a few of the highlights of this years QFest St. Louis, the annual gay and Lesbian Film Festival presented by Cinema St. Louis. This year’s fest runs April 27th through May 1st and all films will be screened at The Tivoli Theater (6350 Delmar in The Loop, University City, MO)

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QFest St. Louis uses the art of contemporary gay cinema to spotlight the lives of LGBTQ people and celebrate queer culture. The 2014 event features an eclectic slate of contemporary LGBTQ-themed feature films, documentaries, and shorts. Tickets are now on sale for all shows. Welcome to the Q!

This year’s event will feature an eclectic slate of contemporary LGBTQ-themed feature films, documentaries, and shorts as well as many post-film discussions and lectures.

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For a complete schedule of the QFest film’s visit Cinema St. Louis’ QFest page HERE
http://www.cinemastlouis.org/qfest

Tickets for all shows on sale now at the Tivoli box office or online HERE. Click on show time, not film title, to purchase. Individual tickets are $12 general admission, $10 for students and Cinema St. Louis members with valid and current photo IDs.

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Contact artistic director Chris Clark for additional details, questions, and the mega cool perks of sponsoring the event or a QFest film: chris@cinemastlouis.org or 314.289.4152.

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Check back here at We Are Movie Geeks for much more coverage of this year’s QFest