Review
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EMMA. – Review
There have been both TV and movie adaptions of Jane Austen’s novel “Emma,” about a meddling rich young woman...
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THE INVISIBLE MAN (2020) – Review
Recalling the classic movie monsters of Hollywood’s Golden Age, visions of those hardworking actors (Karloff, Lugosi, the Chaneys, etc.)...
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INCITEMENT – Review
What makes a person move from extremist views to violence is the subject of Yaron Zilberman’s INCITEMENT. Specifically, Zilberman’s...
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THE TRAITOR (2019) – Review
So, you finally got around to watching (probably streaming) THE IRISHMAN (Bobby, Al, and Joe seemed to be staring...
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THE CALL OF THE WILD – Review
The new adaptation of Jack London’s 1903 adventure THE CALL OF THE WILD is a thrilling family-friendly adventure well...
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OLYMPIC DREAMS – Review
So, getting tired of the frigid ole’ February (of course you sufferin’ folks in the southern states might have...
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WHAT LOVE LOOKS LIKE – Review
Review by Stephen Tronicek Alex Magaña’s What Love Looks Like looks like an ambitious project that doesn’t quite come...
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DOWNHILL – Review
Julia Louis-Dreyfus and Will Ferrell star as a married couple who have their relationship shaken after near-miss with an...
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THE PHOTOGRAPH – Review
Stella Meghie directs her original story in a manner that attempts to blend arthouse sensibilities with mainstream romance –...
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SONIC THE HEDGEHOG – Review
So with the big three day holiday weekend coming up, is there anything at the multiplex aimed at the...
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THE ASSISTANT (2019) – Review
Lots of working folks can certainly relate to the chorus of that 1980s pop classic from Huey Lewis and...
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BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN) – Review
By Marc Butterfield BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN) tells the tale of Harley...
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CLEMENCY – Review
CLEMENCY opens in St. Louis January 31st exclusively at Landmark’s Plaza Frontenac Theater Examining the effects of capital punishment...
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I LOST MY BODY – Review
Review by Stephen Tronicek. I Lost My Body, now nominated for an Academy Award for Best Animated Feature, is...
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THE GENTLEMEN – Review
As THE IRISHMAN begins the home stretch to the Oscars are you in need of another mob movie fix?...
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THE SONG OF NAMES – Review
People today (well always but more so now) really enjoying having lots of choices, be it food (as in...
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LES MISERABLES (2019) – Review
Oh, oh. Didn’t we just endure another retelling of this classic story? And in song this last time? With...
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DOLITTLE – Review
Only less than three weeks into the new year and there’s a new flick opening today celebrating the centennial...
