MISSION: IMPOSSIBLE – THE FINAL RECKONING – Review

Tom Cruise plays Ethan Hunt in Mission: Impossible – The Final Reckoning from Paramount Pictures and Skydance.

It seems impossible that Tom Cruise would stop making Mission Impossible movies, but if you have seen any of the films in this franchise, especially the more recent ones, you know nothing is impossible in the Mission Impossible universe. Yet MISSION IMPOSSIBLE – THE FINAL RECKONING is hinted to be the last in the franchise. We shall see about that. Of course, at some point, star Tom Cruise will have to step back from this action franchise, because everyone ages, including Cruise, in order to maintain a scrap of believability in this franchise built on ever-more impossible stunts. Still, since Cruise bares most of his muscular body, not once but twice, in this film, he may be telling audiences he’s still in good enough shape to continue, for now.

Fans are still enthusiastic about the action-fueled, stunt-packed franchise regardless, and if Tom Cruise wanted to go out on top for this series, MISSION IMPOSSIBLE – THE FINAL RECKONING would be a good choice. More cohesive and entertaining than the last one in the franchise, this round has now-freelance secret agent/do-gooder Ethan Hunt and his team in a ticking-clock race to defeat an AI entity taking over the world by seizing control of the world’s nuclear weapons, with a plan to wipe out humankind. It is thrilling, nail-nibbling excitement and entertainment throughout.

The series originated from a 1960s TV spy thriller series, with agent Jim Phelps and his team of skilled secret agents would thwart evil international plots, using a variety of disguises and technology. That show started with a frenetic, burning-fuse, jazz music theme, and agent Jim Phelps getting a secret assignment via audio tape that would always end with a message about official disavowing the teams action and the tape self-destructing, as it burst into flame. About all that remains of that origin show is a sampling of the catchy musical theme, a recorded message that self-destructs in a puff of smoke, and penchant for masks and impersonation. Even the name of the team leader was changed long ago by producer/star Tom Cruise, to Ethan Hunt.

As MISSION IMPOSSIBLE – THE FINAL RECKONING opens, Ethan Hunt (Tom Cruise) and his team have become free agents but are still committed to doing good. When Ethan gets a recorded-message plea for help from the President (Angela Bassett, in a brilliant bit of casting), he lets bygones be bygones to come to the rescue, literally to save the world, or at least humankind, from a powerful AI entity that wants to rule the world, and is gaining control of the world’s nukes to do that. The all-powerful AI makes for a chilling villain, a real challenge Hunt’s skills and his team.

Along with the AI’s plan to wipe out humans, Ethan also faces a human adversary named Gabriel (Esai Morales), a smiling madman who believes he can seize control of the AI to rule the world himself, but who wants to let the AI grab all the nukes first.

Ethan’s team has familiar faces, such as Simon Pegg as tech assistant/right-hand man Benji Dunn. Hayley Atwell plays Grace, a beautiful young master-thief and skilled pickpocket who becomes an Ethan ally and sort-of love interest for Cruise, Pom Klementieff plays Paris, a roguish, deadpan and deadly fighter who has joined Ethan’s team, and Ving Rhames appears as brilliant tech/biomedical genius who is a long-time friend and help to Ethan Hunt. They are joined by a host of familiar names, including Shea Wigham, Nick Offerman, Mark Gatiss, and Janet McTeer, in various supporting roles.

But the real star of this show, as always, is Tom Cruise, in those impossible stunt sequences. In every movie in the franchise, those stunts get bigger and wilder, topping the previous one, and MISSION IMPOSSIBLE – THE FINAL RECKONING continues that mission well.

The stunt sequences are the major appeal of the series, and this one delivers. Thrilling, physics-defying sequences are abundant in this nearly three-hour long action thriller extravaganza. Stunt sequences take place in the air, with wing-walking on a pair of bi-planes, at at sunken sub in the freezing Arctic, and in numerous battles and fight scenes spanning the globe, either with Cruise battling a single foe or the whole team fighting a small army of baddies.

All the stunts and the effects are outstanding, and highly entertaining, even better than previous installments in the franchise. The thrilling, nail-biting underwater Arctic Ocean sequence is a highlight, where Cruise’s Ethan has to dive into a sunk sub to find an essential McGuffin to defeat the AI, risking life and limb in the freezing and dangerous environment of the deep ocean and on a shipwreck precariously balanced on the edge of a trench. Another thriller highlight is an air-borne, death-defying battle where Cruise’s Ethan chases bad guy Gabriel above a rugged African landscape – in biplanes.

Apparently eager to show off his physique, the aging Cruise gets nearly naked in two of these action sequences, including, mindbogglingly, in the frozen Arctic Ocean. Nothing is too preposterous in this franchise, which constantly tops itself with gravity-defying, physics-violating, and biologically-impossible thrillers, all performed reportedly by star Cruise.

These numerous stunt sequences, fight scenes and chase thrills periodically are interrupted by scenes of banter with his team, fizzy flirtations with the pretty pickpocket, and “I love you, man” emotional scenes with team members, particularly with Ving Rhames, as the tech genius who crafts a weapon that might defeat the evil AI. The whole thing takes place against a ticking clock, of course, as Ethan and the team race around the world to thwart the evil plan.

There are plenty of twists, lots of death-defying stunts, a few good guys (and baddies) lost along the way, and the whole thing is kept cooking along at a fast pace, although a few scenes could have been trimmed to reduce that excessive running time, mostly in some of the too-long emotional scenes between action sequences and a few extra fight scenes that don’t really advance the plot.

Still, MISSION IMPOSSIBLE – THE FINAL RECKONING delivers the over-the-top and top-the-last-one impossible stunt action, and plenty of Tom Cruise heroics, that fans of the franchise crave, whether this really is the final one or not.

MISSION IMPOSSIBLE opens in theaters on Friday, May 23, 2025.

RATING: 3 out of 4 stars

INTERSTELLAR, DAWN OF THE PLANET OF THE APES, X-MEN: DAYS OF FUTURE PAST Among 10 In Oscars VFX Race

INTERSTELLAR
INTERSTELLAR

The Academy of Motion Picture Arts and Sciences announced on Friday that 10 films remain in the running in the Visual Effects category for the 87th Oscars.

The films are listed below in alphabetical order:

   “Captain America: The Winter Soldier”
    “Dawn of the Planet of the Apes”
    “Godzilla”
    “Guardians of the Galaxy”
    “The Hobbit: The Battle of the Five Armies”
    “Interstellar”
    “Maleficent”
    “Night at the Museum: Secret of the Tomb”
    “Transformers: Age of Extinction”
    “X-Men: Days of Future Past”

The Academy’s Visual Effects Branch Executive Committee determined the shortlist. All members of the Visual Effects Branch will now be invited to view 10-minute excerpts from each of the shortlisted films on Saturday, January 10, 2015.

Following the screenings, the members will vote to nominate five films for final Oscar consideration.

xmendays

The 87th Academy Awards nominations will be announced live on Thursday, January 15, 2015, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

The Oscars will be held on Sunday, February 22, 2015, at the Dolby Theatre® at Hollywood & Highland Center in Hollywood, and will be televised live on ABC.

dawn-of-the-planet-of-the-apes-uv046_0460_v137_le-1092_rgb

WORLD WAR Z, GRAVITY Among 10 Films Remaining In VFX Oscars Race

WORLD WAR Z
WORLD WAR Z

The Academy of Motion Picture Arts and Sciences today announced that 10 films remain in the running in the Visual Effects category for the 86th Oscars®.

The films are listed below in alphabetical order:

         “Elysium”
         “Gravity”
         “The Hobbit: The Desolation of Smaug”
         “Iron Man 3”
         “The Lone Ranger”

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OBLIVION

         “Oblivion”
         “Star Trek Into Darkness”
         “Thor: The Dark World”
         “Warner Bros. Pictures and Legendary Pictures Pacific Rim”
         “World War Z”

The Academy’s Visual Effects Branch Executive Committee determined the shortlist.  All members of the Visual Effects Branch will now be invited to view 10-minute excerpts from each of the shortlisted films onThursday, January 9, 2014.  Following the screenings, the members will vote to nominate five films for final Oscar consideration.

Oscars nominations will be announced live on Thursday, January 16, 2014, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre® at Hollywood & Highland Center®

GRAVITY
GRAVITY

STAR WARS Visual FX Artist Grant McCune Has Died

Visual Effects Artist Grant McCune, who is best known for the models and miniatures he made for STAR WARS (1977), passed away on Monday, December 27th. McCune died at his home in Hidden Hills, California from pancreatic cancer at the age of 67.

McCune won an Academy Award for his work on STAR WARS, the first of George Lucas’ six-film franchise, later nominated for a second Oscar in 1980 for STAR TREK: THE MOTION PICTURE.

Source: Hollywood Reporter

15 Features in Line for 2010 VFX Oscar

The 82nd Academy Award Winner for Visual Effects went to AVATAR and the team of Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones. A little background on this category – prior to the 1963 (36th) Academy Awards, visual effects work was honored along with sound editing in the Special Effects category.

AMPAS Press Release:

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences today announced that 15 films have been selected as semifinalists for Achievement in Visual Effects for the 83rd Academy Awards®.

The films are listed below in alphabetical order:

“Alice in Wonderland”
“The Chronicles of Narnia: The Voyage of the Dawn Treader”
“Clash of the Titans”
“Harry Potter and the Deathly Hallows Part 1”
“Hereafter”
“Inception”
“Iron Man 2”
“The Last Airbender”
“Percy Jackson & the Olympians: The Lightning Thief”
“Prince of Persia: The Sands of Time”
“Scott Pilgrim vs the World”
“Shutter Island”
“The Sorcerer’s Apprentice”
“Tron: Legacy” 
“Unstoppable”

In early January, the members of the Academy’s Visual Effects Branch Executive Committee, who selected the semifinalists, will narrow the list to seven.

All members of the Visual Effects Branch will be invited to view 15-minute excerpts from each of the seven shortlisted films on Thursday, January 20. Following the screenings, the members will vote to nominate five films for final Oscar consideration.

The 83rd Academy Awards nominations will be announced live on Tuesday, January 25, 2011, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2010 will be presented on Sunday, February 27, 2011, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

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AMPAS Narrows Visual Effects Race Down to Seven

This is a big category now and the Academy really needs to give some serious thought on expanding the nominees from 3 to 5. At a board meeting over the summer,  they voted to  expand the voting rights of the various branches due to the Academy’s ongoing retweeking of its rules.  Visual Effects is one such  category  in desperate need of an adjustment. As of this year, AVATAR, STAR TREK are definitely in….anyone care to venture a guess on what will be the third? My own choice would be DISTRICT 9.

From AMPAS:

The Academy of Motion Picture Arts and Sciences today announced that seven films remain in the running in the Visual Effects category for the 82nd Academy Awards ®.

The films are listed below in alphabetical order:

  • AVATAR
  • DISTRICT 9
  • HARRY POTTER  AND THE  HALF-BLOOD PRINCE
  • STAR TREK
  • TERMINATOR SALVATION
  • TRANSFORMERS: REVENGE OF THE FALLEN
  • 2012

On Thursday, January 21, all members of the Academy’s Visual Effects Branch will be invited to view 15-minute excerpts from each of the seven shortlisted films. Following the screenings, the members will vote to nominate three films for final Oscar consideration.

The 82nd Academy Awards nominations will be announced on Tuesday, February 2, 2010, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater. Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, March 7, 2010, at the Kodak Theatre at Hollywood & Highland Center ®, and televised live by the ABC Television Network.

Souce: Oscars.org

Awards Season Update: Visual Effects, Best Makeup, USC Scripter

  

The Academy of Motion Picture Arts and Sciences today announced that seven films remain in the running in the Visual Effects category for the 81st Academy Awards ®. The films are listed below in alphabetical order:

“Australia”
“The Curious Case of Benjamin Button”
“The Dark Knight”
“Hellboy II: The Golden Army”
“Iron Man”
“Journey to the Center of the Earth”
“The Mummy: Tomb of the Dragon Emperor”

“On Thursday, January 15, all members of the Academy’s Visual Effects Branch will be invited to view 15-minute excerpts from each of the seven shortlisted films. Following the screenings, the members will vote to nominate three films for final Oscar consideration.

AMPAS make-up branch has picked (they’ll whittle it down to three):

“The Curious Case of Benjamin Button”
“The Dark Knight”
“Hellboy II: The Golden Army”
“The Reader”
“Synecdoche, New York”
“Tropic Thunder”
“The Wrestler”
*no love for ‘Prince Caspian’, but I love the ‘Hellboy II’ and ‘The Wrestler’ picks*

And this year’s USC Scripter Award nominees are: (Winner announced on Jan. 30th)

The Curious Case of Benjamin Button
Iron Man (WOW!) *Would be hilarious if it showed up on the WGA’s list too…..nah….*
The Reader
Revolutionary Road
Slumdog Millionaire

The American Society of Cinematographers (ASC)Â  will announce their nominees soon – maybe even tomorrow, the Writers Guild of America (WGA) and the Director’s Guild (DGA) are Thursday.

FYI: Director Christopher Nolan (‘The Dark Knight’) will receive the ASC’s Board of Governors Award, which is presented annually to an individual who has made significant contributions to advancing the art of filmmaking. Nolan will receive the award during the 23rd Annual ASC Outstanding Achievement Awards celebration on February 15, at the Century Plaza Hotel in Los Angeles.