A ROYAL AFFAIR – The Review

royal affair

Seems that around Oscar time overseas film studios submit their big prestige flicks to vie for the foreign language film award. Often it’s a sprawling historical costume epic, which is the case for Denmark’s entry A ROYAL AFFAIR. There’s elaborate period dress, opulent interiors, and, as the title suggests, a juicy bit of scandal. The majority of AFFAIR takes place in the 18th century during the reign of King Christian VII (Mikkel Folsgaard), particularly his arranged marriage to England’s Caroline Mathilde (Alicia Vikander). Caroline is apprehensive about leaving her home for a foreign land and nuptials with a complete stranger. She hastily learns the language and customs, but no amount of study prepares her for life with the king. He’s a coarse brute that abuses her verbally and physically almost from their first meeting, a spoiled brat who’s humored manipulated by advisors and elected officials. Soon the King is ignoring his new bride completely, preferring to spend nearly every evening at a brothel. But shortly things are shaken up at the dreary castle. Two former members of the King’s inner circle hear that His Majesty is in need of a new court physician. They convince the German-born Doctor Johann Friedrich Struensee (Mads Mikkelesen) to interview for the position (and maybe restore their former status). The King takes an immediate liking to the blunt older man and soon they’re spending many hours together. The Queen doesn’t warm up to the doctor as quickly, but they bond over a love of literature and philosophy (and they’re two strangers in a strange land). After sharing books, they eventually share a bed. They also devise a plan. They’ll unite to persuade the King to end the feudal system and make Denmark a more democratic country. This upsets the ruling classes and the politicians who soon conspire to rid the formerly disinterested ruler of these two unwanted influencers.

Director Nikolaj Arcel has crafted a gorgeous looking drama. The royal court is breath-taking with colorful tapestries and splendid furnishings that dazzle the eye. We can almost feel the crisp, cool air as the principals stroll the meadows outside the castles and mansions. Of course it’s a fine cast of actors that really make this tale come to life. Vikander (recently seen in her first English film ANNA KARENINA) really grabs our sympathies the neglected queen. She’s truly a beautiful bird trapped in a golden, gilded cage. After enduring constant humiliations from her husband, she’s finely able to breathe thanks to the new member of the staff. That, of course, is Mikkelsen (CASINO ROYALE, CLASH OF THE TITANS) who brings a leading man authority to the role of the enlightened physician. He puts up an emotional defensive wall when he meets the queen, but it’s the love of ideas rather than physical attraction that melts away the barriers. The real scene stealer may be Folsgaard as the ultimate “upper class twit of the year” (as the Monty Python troupe would say). He behaves like a clueless buffoon (who fancies himself a fine thespian) and a cruel, abusive beast, but he gains some understanding as an overly sheltered, pampered man-child who just wants an honest friend (and who may be mentally ill). It’s a spirited, energetic performance. A ROYAL AFFAIR is an interesting drama full of lies, deception, and intrigue (fascinating to see how the disgruntled politicians used xenophobia to rile up the poplace..the doctor is “the wicked German”). Seems that scandals were shaping public policies many centuries ago.

3 Out of 5 Stars

A ROYAL AFFAIR screens exclusively in the St. Louis area at Landmark’s Plaza Fontenac Cinemas

Royal_Affair poster

SLIFF 2010 Review: VALHALLA RISING

Review by Dana Jung

‘Valhalla’ is a Norse mythological concept, defining a place where warriors slain in battle go after death. In most texts, it’s described as a great hall in the home of Odin, king of the Norse gods. A sort of warrior’s heaven, the dead go there to prepare for Ragnarok, the Norse equivalent to the Second Coming or Final Judgment in Christianity. These and many other complex themes are woven through the Danish film VALHALLA RISING. Though the film will no doubt be marketed as a sword-fest action flick akin to 300 or CENTURION, it is far removed from both of those movies. The story is simple, yet sets up a fascinating and thoughtful rumination on Christianity vs religious mythology, civilization vs nature, sacrifice vs coercion, and more.

Mads Mikkelsen (familiar as the Bond villain in CASINO ROYALE) is a mute anonymous warrior in an anonymous land. He is a fierce and brutal fighter being used in primitive gladiator-styled fights to the death. The time period is roughly 1000 AD, and Christianity is spreading. There is already conflict between the newer more zealous Christians and all other ‘pagan’ religions. The warrior falls in with a band of early Crusaders as they set off for the Holy Land. Needless to say, things don’t go as planned.

The film opens with a violent combat scene, followed by a nearly silent 10 minute sequence that establishes the story. Nearly all the fight action in the movie appears in these opening segments. Director & co-writer Nicolas Winding Refn isn’t interested in action scenes, but in showing some incredible vistas (mostly shot in Scotland) with an eerie, naturalistic style that is reminiscent of Herzog’s FITZCARRALDO or more recently, Malick’s NEW WORLD. Nature is not just a background, it is a player in the story, which Refn uses to question the ability of religion to bond people together. And is the Mikkelson character some sort of Christ metaphor? He mysteriously has only one eye (Christian symbolism) and seems to be the only person who bathes (baptism?) regularly. He is almost Zen-like in his demeanor when not disemboweling an enemy. The young boy (innocent?) who tags along and acts as the observer/translator is left unharmed and perhaps unaffected by both the primitives and the Christians at the film’s somewhat obscure conclusion. Perhaps the rise of Christianity is the true Ragnarok, as it slowly but steadily overtake – whether by force or sacrifice – all other beliefs, even those more symbiotic with Nature. The viewer is left to decide whether this is a good or bad development in human history, long after this beautifully shot but frustratingly obtuse film ends.

VALHALLA RISING will play during the 19th Annual Stella Artois St. Louis International Film Festival on Sunday, November 14th at 9:15 pm at the Hi-Pointe Theatre.

New Trailer for VALHALLA RISING

For the movie geeks out there looking for edgy films, director Nicolas Winding Refn is one filmmaker to keep an eye out for, which is why I’m excited to share this new trailer for VALHALLA RISING. Refn, who directed such great films as the PUSHER trilogy and 2008’s BRONSON, has a unique visual style and sense of intense storytelling.

Plot Synopsis:

Mute slave HARALD escapes his Scottish masters with the help of 10 year old ARE, torturing and killing them before joining a band of dispossessed Vikings. They go to sea, determined to return to Scandinavia to fight the spread of Christianity, but for HARALD the journey is also a personal one to discover his own origins. Caught in a terrible storm, the group drift for 40 days until, on the verge of death, they find themselves in a freshwater river. The land seems at once strange yet familiar.

When they come under attack by unseen assailants, the groups’ quest for their homeland takes on a bitter urgency as one-by-one they succumb to the onslaught, dying at the hands of the invisibles. Worse, they are no clearer about where they are or if this place even exists outside their imagination. Have they finally reached the new world, or Valhalla?

Meanwhile, HARALDS’s search for identity is compromised when ARE is captured. As the enemy reveal themselves, HARALD realizes he has finally found his identity but at too high a price. As ARE’s life is threatened, HARALD is faced with an impossible choice; save the boy or save his soul?

VALHALLA RISING officially hit US theaters in a limited capacity on June 4, 2010 but hopefully more small theaters will pick this one up throughout the country as word gets out.

NEW TRAILER:

And, in case you missed it… here’s the first trailer: