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Hammer Bringing The Abominable Snowman To Theaters – We Are Movie Geeks

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Hammer Bringing The Abominable Snowman To Theaters

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The Abominable Snowman

President & CEO of Hammer and Vice-Chairman of Exclusive Media, Simon Oakes, announced today that Hammer, an Exclusive Media company, will produce a new version of The Abominable SnowmanThe project is being developed by Hammer in association with Ben Holden (The Quiet Ones, The Woman in Black: Angel of Death).

In this modern take on the Yeti myth, a scientific expedition’s illegal ascent up an unclimbed peak of one of the World’s most formidable mountains accidentally awakens an ancient creature that could spell a certain end for them all.

Watch the trailer from the 1957 British horror film.

The original screenplay by Matthew Read (Pusher, Hammer of the Gods) and Jon Croker (The Woman In Black: Angel of Death, Desert Dancer) will put a modern twist on the 1957 iconic original film from Hammer’s extensive canon of work. The project marks a continuation of Hammer’s ongoing campaign to maintain their heritage of producing enduring British horror films which are original, current and relevant for modern audiences, following on from The Woman in Black which became the most successful British horror film of all time.

Simon Oakes said of the project: “The success of Let Me In and The Woman In Black has shown that there is an appetite for quality horror films so it is exciting to draw on Hammer’s unparalleled source material in this genre which can be reimagined and updated for a new audience”.

Ben Holden is currently collaborating with Hammer on The Woman in Black: Angel of Death, which is in production in the UK now.

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Originally founded in 1934, legendary British film studio Hammer has delivered a hugely successful run of films over the years including Dracula, Frankenstein Created Woman, One Million Years B.C. and The Vampire Lovers. Since 2008, the company has been part of Exclusive Media, which is reinvigorating this beloved global brand through investment across both traditional and new media.

Not in production since the 1980s, Hammer marked their return to features in 2010 with the release of the critically acclaimed Let Me In, an adaptation of the highly praised Swedish film Låt den rätte komma in. The film was written and directed by Matt Reeves (Cloverfield) and stars Chloe Moretz (Kick-Ass) and Kodi Smit-McPhee (The Road).

In 2011, Hammer released Antti Jokinen’s The Resident starring two-time Academy Award® winner Hilary Swank (Boys Don’t Cry, Million Dollar Baby), Jeffrey Dean Morgan and Hammer legend Sir Christopher Lee, as well as the critically lauded Wake Wood directed by David Keating and starring Aidan Gillen, Eva Birthistle and Timothy Spall.

February 2012 saw the theatrical release of Hammer’s first ever feature ghost story The Woman In Black, directed by James Watkins, adapted by Jane Goldman from the book by Susan Hill, and starring Daniel Radcliffe. The film has taken over $130m worldwide making it one of the biggest indie horror films ever. The next instalment, The Woman in Black: Angel of Death, began filming in November, 2013 for a 13th February, 2015 release.

Hammer’s next film release will be The Quiet Ones starring Jared Harris and Sam Claflin.

In addition to its upcoming films, Hammer recently diversified into live theatre, launching Hammer Theatre of Horror. Hammer’s first theatre project was ‘The Turn of the Screw’ production, based on the classic ghost tale by Henry James, which ran at London’s Almeida Theatre until March 2013 starring Anna Madeley and Gemma Jones.

Hammer also launched a book publishing imprint, Arrow Books, in Spring 2011 with Random House. Recent titles include Jeanette Winterson’s ‘The Daylight Gate’, Sophie Hannah’s ‘The Orphan Choir’ and Julie Myerson’s ‘The Quickening’.

In late 2012, Hammer also signed a deal with Paragon Entertainment to develop, build and operate a series of UK based ‘Hammer House of Horror’ visitor attractions.

Huge passion for film scores, lives for the Academy Awards, loves movie trailers. That is all.